{"id":1057,"date":"2021-02-01T13:53:20","date_gmt":"2021-02-01T21:53:20","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1057"},"modified":"2021-02-01T15:00:10","modified_gmt":"2021-02-01T23:00:10","slug":"how-do-you-build-spaces-that-feel-inclusive","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/how-do-you-build-spaces-that-feel-inclusive\/","title":{"rendered":"&#039;\u00bfC\u00f3mo construyes espacios que se sientan inclusivos?&#039;"},"content":{"rendered":"<p>Nacido en el oeste de Filadelfia en 1972, Troy Carter, con sede en Los \u00c1ngeles, ha dirigido actos que incluyen a Eve, Lady Gaga y John Legend a lo largo de su carrera. Como coleccionista y mecenas, forma parte de los directorios de Art + Practice y LACMA. La curadora Erin Christovale le habl\u00f3 en su casa sobre arte, m\u00fasica y comunidad.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/frieze.com\/article\/how-do-you-build-spaces-feel-inclusive\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Born in West Philadelphia in 1972, Los Angeles-based Troy Carter has managed acts including Eve, Lady Gaga and John Legend over his career. As a collector and patron, he sits on the boards of Art + Practice and LACMA. Curator Erin Christovale spoke to him at his home about art, music and community. Read the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1057","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1057"}],"version-history":[{"count":6,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1057\/revisions"}],"predecessor-version":[{"id":1376,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1057\/revisions\/1376"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}