{"id":1060,"date":"2021-02-01T13:44:07","date_gmt":"2021-02-01T21:44:07","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1060"},"modified":"2021-02-01T13:44:07","modified_gmt":"2021-02-01T21:44:07","slug":"stephen-towns-and-ramsess-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/stephen-towns-and-ramsess-at-art-practice\/","title":{"rendered":"Stephen Towns y Ramsess en Art + Practice"},"content":{"rendered":"<p>En sus exquisitas colchas, los artistas Ramsess y Stephen Towns suturan la memoria negra al caos del presente. Mientras Towns enfatiza el trabajo manual en su estudio de las vidas de los negros, Ramsess abruma al espectador con la belleza de lo que se ha perdido, cada uno instando a sus interpretaciones \u00fanicas de la historia y el duelo de los negros.<\/p>\n\n\n\n<p>Juntos, Towns y Ramsess ofrecen dos gu\u00edas de la historia negra y estadounidense y los dolores que ambas incluyen. El trabajo de Towns nos gu\u00eda a trav\u00e9s de nuestra ira al recordarnos c\u00f3mo reconstruimos nuestras vidas a trav\u00e9s de un esfuerzo constante y tambaleante que es imperfecto pero igualmente hermoso. Ramsess ofrece otra ruta, quiz\u00e1s m\u00e1s acorde con nuestros sentimientos inmediatos de indignaci\u00f3n y catarsis: est\u00e1 seguro de que el espectador sabe que lo que nos quitaron era sagrado, y que su p\u00e9rdida deber\u00eda ponernos de rodillas.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/contemporaryartreview.la\/stephen-townsand-ramsessat-art-practice\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>In their exquisite quilts, the artists Ramsess and Stephen Towns suture black memory onto the chaos of the present day. While Towns emphasizes handwork in his study of black lives, Ramsess overwhelms the viewer with the beauty of that which has been lost\u2014each urging their unique interpretations of black history and mourning. Together, Towns and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1060","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1060"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1060\/revisions"}],"predecessor-version":[{"id":1340,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1060\/revisions\/1340"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}