{"id":1066,"date":"2021-02-01T13:46:46","date_gmt":"2021-02-01T21:46:46","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1066"},"modified":"2021-02-01T13:46:46","modified_gmt":"2021-02-01T21:46:46","slug":"film-art-pick-brick-by-brick-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/film-art-pick-brick-by-brick-at-art-practice\/","title":{"rendered":"SELECCI\u00d3N DE PEL\u00cdCULA\/ARTE: LADRILLO A LADRILLO EN ART + PRACTICE"},"content":{"rendered":"<p class=\"wp-block-paragraph\">La pel\u00edcula Brick by Brick de Shirikiana Aina de 1982 fue prof\u00e9tica en su examen de los efectos devastadores del abandono y la gentrificaci\u00f3n en las comunidades minoritarias, que se hizo a\u00fan m\u00e1s poderosa al estar ambientada en Washington, DC, donde las yuxtaposiciones visuales de la pobreza y la pompa de los monumentos del gobierno amplifican la injusticia. Pero m\u00e1s que una documentaci\u00f3n de la lucha, la pel\u00edcula tambi\u00e9n se enfoca en el Seaton Street Project, un sindicato de inquilinos con un modelo de propiedad comunitaria progresista cuyas ideas son tan resonantes hoy como siempre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lee el art\u00edculo completo&nbsp;<a href=\"https:\/\/www.laweekly.com\/film-art-pick-brick-by-brick-at-art-practice\/\"><strong>aqu\u00ed<\/strong><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Shirikiana Aina\u2019s 1982 film Brick by Brick was prescient in its examination of the devastating effects of neglect and gentrification on minority communities, made all the more powerful by being set in Washington, D.C., where the visual juxtapositions of poverty and the pageantry of government monuments amplify the injustice. But more than a documentation of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1066","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1066"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1066\/revisions"}],"predecessor-version":[{"id":1344,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1066\/revisions\/1344"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}