{"id":1076,"date":"2021-02-01T13:49:55","date_gmt":"2021-02-01T21:49:55","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1076"},"modified":"2021-02-01T13:49:55","modified_gmt":"2021-02-01T21:49:55","slug":"press-play-a-look-at-black-films-that-came-out-of-the-1965-watts-uprising","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/press-play-a-look-at-black-films-that-came-out-of-the-1965-watts-uprising\/","title":{"rendered":"Presione Play: una mirada a las pel\u00edculas negras que surgieron del levantamiento de Watts de 1965"},"content":{"rendered":"<p>El Levantamiento de Watts de 1965 dej\u00f3 34 muertos. La mayor parte de la cobertura de noticias en ese momento estaba a cargo de personas blancas que no entend\u00edan el vecindario. En ese momento, un grupo de estudiantes de UCLA, llamado LA Rebellion, cre\u00f3 un movimiento de cine negro para contar historias m\u00e1s matizadas sobre la vida de los negros. Pel\u00edculas de ellos y artistas que siguieron sus pasos se muestran en el espacio de exhibici\u00f3n Art + Practice en Leimert Park. La exposici\u00f3n se llama&nbsp;<em>El tiempo se acaba: pel\u00edcula y v\u00eddeo experimentales de la rebeli\u00f3n de Los \u00c1ngeles y la actualidad<\/em>. Est\u00e1 en exhibici\u00f3n hasta el 14 de septiembre.<\/p>\n\n\n\n<p>Escucha el episodio completo&nbsp;<strong><a href=\"https:\/\/www.kcrw.com\/news\/shows\/press-play-with-madeleine-brand\/rock-star-shirley-manson-on-why-yoko-ono-inspires-her\/a-look-at-black-films-that-came-out-of-the-1965-watts-uprising\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>The Watts Uprising of 1965 left 34 people dead. Most of the news coverage at the time was by white people who didn\u2019t understand the neighborhood. At the time, a group of UCLA students, dubbed L.A. Rebellion, created a black film movement to tell more nuanced stories about black life. Films from them, and artists [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1076","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1076"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1076\/revisions"}],"predecessor-version":[{"id":1352,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1076\/revisions\/1352"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}