{"id":1080,"date":"2021-02-01T13:50:42","date_gmt":"2021-02-01T21:50:42","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1080"},"modified":"2021-02-01T13:50:42","modified_gmt":"2021-02-01T21:50:42","slug":"crystal-balls-red-light-spectacle-and-a-pop-art-nun-the-best-shows-in-los-angeles","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/crystal-balls-red-light-spectacle-and-a-pop-art-nun-the-best-shows-in-los-angeles\/","title":{"rendered":"Crystal Balls, Red Light Spectacle y Pop Art Nun: los mejores espect\u00e1culos de Los \u00c1ngeles"},"content":{"rendered":"<p><em>El tiempo se est\u00e1 acabando el tiempo<\/em>&nbsp;colapsa el tiempo f\u00edlmico, superponiendo y haciendo un collage de la narrativa afroamericana y el cine experimental desde la d\u00e9cada de 1970 hasta la actualidad en un retrato reflexivo compuesto de la historia, lo cotidiano y lo imaginado. La exposici\u00f3n tiene sus ra\u00edces en los valores formativos de los cineastas de LA Rebellion, un grupo central de artistas que se form\u00f3 a partir del programa de cine de UCLA en las d\u00e9cadas de 1960 y 1980, cuyo trabajo se caracteriza por su representaci\u00f3n de la vida cotidiana en las comunidades afroamericanas. Su trabajo documental y experimental de esta \u00e9poca se celebra por su sensibilidad a los problemas sociales y pol\u00edticos relevantes y su resistencia a la influencia cinematogr\u00e1fica convencional. Estas mismas convenciones resuenan en las obras cinematogr\u00e1ficas de los artistas m\u00e1s j\u00f3venes que trabajan hoy.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"http:\/\/https\/\/frieze.com\/article\/crystal-balls-red-light-spectacle-and-pop-art-nun-best-shows-los-angeles\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Time is Running Out of Time&nbsp;collapses filmic time, layering and collaging African American narrative and experimental cinema from the 1970s to today into a thoughtful composite portrait of history, the quotidian, and the imagined. The exhibition takes its roots in the formative values of the L.A. Rebellion filmmakers, a core group of artists that formed [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1080","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1080"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1080\/revisions"}],"predecessor-version":[{"id":1354,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1080\/revisions\/1354"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}