{"id":1087,"date":"2021-02-01T13:27:57","date_gmt":"2021-02-01T21:27:57","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1087"},"modified":"2021-02-01T13:27:58","modified_gmt":"2021-02-01T21:27:58","slug":"critics-picks-keith-calhoun-chandra-mccormick","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/critics-picks-keith-calhoun-chandra-mccormick\/","title":{"rendered":"Elecciones de los cr\u00edticos: Keith Calhoun y Chandra McCormick"},"content":{"rendered":"<p>Ubicada aproximadamente a una hora en las afueras de Baton Rouge, Luisiana, cerca de las orillas del r\u00edo Mississippi, se encuentra el antiguo sitio de la plantaci\u00f3n de Angola, llamada as\u00ed por el lugar de donde supuestamente proced\u00edan muchos de los africanos esclavizados que trabajaban y mor\u00edan all\u00ed. Ahora es una prisi\u00f3n, y su consolidaci\u00f3n con otras plantaciones cercanas ha aumentado su tama\u00f1o m\u00e1s all\u00e1 del kilometraje cuadrado de Manhattan. Es un lugar de deporte, que cuenta con un campo de golf de nueve hoyos y un estadio para los rodeos anuales de la prisi\u00f3n, y un lugar de vigilancia, donde los polic\u00edas patrullan a caballo para mantener el control sobre los aproximadamente seis mil reclusos que fabrican, cultivan y rancho por tan poco como cuatro centavos por hora.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/www.artforum.com\/picks\/keith-calhoun-and-chandra-mccormick-77804\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Located about an hour outside Baton Rouge, Louisiana, near the banks of the Mississippi River, is the former site of the Angola plantation, named after the place where many of the enslaved Africans who worked and died there purportedly came from. Now it is a prison, and its consolidation with other nearby plantations has swelled [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1087","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1087"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1087\/revisions"}],"predecessor-version":[{"id":1313,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1087\/revisions\/1313"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}