{"id":1090,"date":"2021-02-01T13:28:44","date_gmt":"2021-02-01T21:28:44","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1090"},"modified":"2021-02-01T13:28:44","modified_gmt":"2021-02-01T21:28:44","slug":"stark-photos-of-a-louisiana-prison-that-was-once-a-slave-plantation","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/stark-photos-of-a-louisiana-prison-that-was-once-a-slave-plantation\/","title":{"rendered":"Fotos crudas de una prisi\u00f3n de Luisiana que una vez fue una plantaci\u00f3n de esclavos"},"content":{"rendered":"<p>El 21 de agosto de 2018, comenzaron una serie de paros laborales, huelgas de hambre y boicots en las c\u00e1rceles de los EE. UU. Entre las 10 demandas del paro penitenciario nacional se encontraban mejoras en las condiciones de vida, el fin de la esclavitud en las c\u00e1rceles y la restauraci\u00f3n del derecho al voto de los presos y ex encarcelados. Los presos sospechosos de participar en la huelga enfrentaron censura y represalias. Ronald Brooks, recluso de la Penitenciar\u00eda Estatal de Luisiana, fue trasladado a una instalaci\u00f3n a 250 millas de distancia por aparecer en un video de apoyo a la huelga. Le quitaron los privilegios de visitas y comunicaci\u00f3n con el exterior por temor a que pudiera radicalizar a otros presos.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/hyperallergic.com\/473384\/slavery-the-prison-industrial-complex-art-practice\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>On August 21, 2018, a series of work stoppages, hunger strikes, and boycotts began to take place in prisons across the US. Among the 10 demands of the national prison strike were improvements to living conditions, an end to prison slavery, and the restoration of voting rights to prisoners and formerly incarcerated people. Prisoners suspected [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1090","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1090"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1090\/revisions"}],"predecessor-version":[{"id":1315,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1090\/revisions\/1315"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}