{"id":1099,"date":"2021-02-01T13:33:17","date_gmt":"2021-02-01T21:33:17","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1099"},"modified":"2021-02-01T13:33:17","modified_gmt":"2021-02-01T21:33:17","slug":"the-la-exhibition-attempting-to-re-humanize-us-prisons","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/the-la-exhibition-attempting-to-re-humanize-us-prisons\/","title":{"rendered":"La exposici\u00f3n de Los \u00c1ngeles que intenta rehumanizar las prisiones de EE. UU."},"content":{"rendered":"<p>Con el Museo Frist en Tennessee, Chandra McCormick y Keith Calhoun han creado una exposici\u00f3n itinerante cuyo tema denso insiste en una lectura profunda y sensible. Han estado capturando la vida de los reclusos durante m\u00e1s de treinta a\u00f1os en una de las prisiones m\u00e1s grandes de los EE. UU. Al ver por primera vez sus im\u00e1genes en blanco y negro, es probable que uno se sienta abrumado por el maltrato de los prisioneros en la Penitenciar\u00eda Estatal de Luisiana; los ecos de una narrativa esclava y la degradaci\u00f3n de los habitantes es una historia dolorosa de vivir, presenciar y volver a contar.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/www.contemporaryand.com\/magazines\/the-la-exhibition-attempting-to-re-humanize-us-prisons\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>With the Frist Museum in Tennessee, Chandra McCormick and Keith Calhoun have created a traveling exhibition whose heavy subject matter insists on a deep and sensitive reading. They have been capturing the lives of prison inmates for over thirty years at one of the largest prisons in the US. On first seeing their black-and-white images, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1099","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1099"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1099\/revisions"}],"predecessor-version":[{"id":1320,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1099\/revisions\/1320"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}