{"id":1111,"date":"2021-02-01T13:38:40","date_gmt":"2021-02-01T21:38:40","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1111"},"modified":"2021-02-01T13:38:40","modified_gmt":"2021-02-01T21:38:40","slug":"review-in-head-back-and-high-senga-nengudi-at-art-practice-two-standout-works","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/review-in-head-back-and-high-senga-nengudi-at-art-practice-two-standout-works\/","title":{"rendered":"Rese\u00f1a: En &#039;Head Back and High: Senga Nengudi&#039; en Art + Practice, dos obras destacadas"},"content":{"rendered":"<p>Si te perdiste &quot;Senga Nengudi: Improvisational Gestures&quot;, un estudio del trabajo basado en la interpretaci\u00f3n del artista en el Museo de Arte Fisher de la USC la primavera pasada, ponte al d\u00eda (un poco) con &quot;Head Back and High&quot;, una muestra m\u00e1s peque\u00f1a de objetos esc\u00e9nicos hechos entre 1976 y 2017. La exposici\u00f3n, organizada por el Museo de Arte de Baltimore, se exhibe en Art + Practice en Leimert Park.<\/p>\n\n\n\n<p>Con solo cuatro esculturas y 10 documentos fotogr\u00e1ficos y de video, es un boceto en miniatura. (El artista, que salt\u00f3 a la fama por primera vez en Los \u00c1ngeles de la d\u00e9cada de 1970, ahora trabaja en Colorado). Pero dos obras destacadas hacen que una visita valga la pena.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/la-et-cm-senga-nengudi-art-practice-20180804-story.html\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>If you missed \u201cSenga Nengudi: Improvisational Gestures,\u201d a survey of the artist\u2019s performance-based work at the USC Fisher Museum of Art last spring, catch up (somewhat) with \u201cHead Back and High,\u201d a smaller show of performance objects made between 1976 and 2017. The exhibition, organized by the Baltimore Museum of Art, is on view at [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1111","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1111"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1111\/revisions"}],"predecessor-version":[{"id":1328,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1111\/revisions\/1328"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}