{"id":1121,"date":"2021-02-01T13:41:11","date_gmt":"2021-02-01T21:41:11","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1121"},"modified":"2021-02-01T13:41:11","modified_gmt":"2021-02-01T21:41:11","slug":"maren-hassinger-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/maren-hassinger-at-art-practice\/","title":{"rendered":"Maren Hassinger en Arte + Pr\u00e1ctica"},"content":{"rendered":"<p>Bolsas de pl\u00e1stico rosas, cada una inflada con aliento y con una peque\u00f1a nota de amor, cubren cada cent\u00edmetro de un estrecho pasillo, asemej\u00e1ndose a los revestimientos internos de un cuerpo. Esto es&nbsp;<em>Amor<\/em>, 2008\/2018, una instalaci\u00f3n itinerante de Maren Hassinger, cuya pr\u00e1ctica impregna materiales cotidianos (alambre, peri\u00f3dico, bolsas) con la po\u00e9tica de la potencialidad. Las manipulaciones de la artista tanto de los materiales como del espacio, como se ve en sus esculturas, instalaciones y obras coreografiadas para audiencias en vivo (<em>mediod\u00eda<\/em>, 1976) o para una c\u00e1mara (<em>Viento<\/em>, 2013), han sido lamentablemente poco estudiadas, y esta exposici\u00f3n marca una oportunidad para encontrar un esp\u00edritu com\u00fan entre sus esfuerzos en diversos medios a lo largo de una pr\u00e1ctica de d\u00e9cadas.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<a href=\"https:\/\/www.artforum.com\/picks\/maren-hassinger-74839\"><strong>aqu\u00ed<\/strong><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Pink plastic bags, each puffed with breath and holding a small love note, cover every inch of a narrow hallway, resembling the internal linings of a body. This is&nbsp;Love, 2008\/2018, an itinerant installation by Maren Hassinger, whose practice imbues everyday materials (wire, newspaper, bags) with the poetics of potentiality. The artist\u2019s manipulations of both materials [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1121","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1121"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1121\/revisions"}],"predecessor-version":[{"id":1334,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1121\/revisions\/1334"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}