{"id":1124,"date":"2021-02-01T13:42:37","date_gmt":"2021-02-01T21:42:37","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1124"},"modified":"2021-02-01T13:42:46","modified_gmt":"2021-02-01T21:42:46","slug":"ruben-ochoa","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/ruben-ochoa\/","title":{"rendered":"Rub\u00e9n Ochoa"},"content":{"rendered":"<p>\u201cSAMPLED y SURVEYED\u201d de Rub\u00e9n Ochoa ilustra la inclinaci\u00f3n del artista por transformar materiales b\u00e1sicos de construcci\u00f3n en instalaciones estructurales cargadas de significado. Las obras referenciales de Ochoa, que trabajan principalmente en madera, metales y hormig\u00f3n, funcionan como herramientas con las que podemos considerar cuestiones de clase social e identidad, al tiempo que resaltan el inter\u00e9s del artista por el espacio urbano. A pesar de su apariencia minimalista, las esculturas de Ochoa est\u00e1n cargadas de contexto; principalmente preocupado por la capacidad de los espacios arquitect\u00f3nicos y urbanos para dictar nuestras experiencias y, en segundo lugar, esas experiencias articuladas desde la perspectiva de un artista latinoamericano.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"http:\/\/artillerymag.com\/ruben-ochoa\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Ruben Ochoa\u2019s \u201cSAMPLED y SURVEYED\u201d illustrates the artist\u2019s penchant for transforming basic construction materials into structural installations charged with meaning. Primarily working in wood, metals and concrete, Ochoa\u2019s referential works function as tools with which we can consider issues of social class and identity, while highlighting the artist\u2019s interest in urban space. Despite their Minimalist [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1124","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1338,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1124\/revisions\/1338"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}