{"id":1134,"date":"2021-02-01T13:13:36","date_gmt":"2021-02-01T21:13:36","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1134"},"modified":"2021-02-01T13:13:36","modified_gmt":"2021-02-01T21:13:36","slug":"critics-picks-los-angeles-al-loving","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/critics-picks-los-angeles-al-loving\/","title":{"rendered":"Elecciones de los cr\u00edticos: Los \u00c1ngeles: Al Loving"},"content":{"rendered":"<p>Tan voraz es la presencia de las doce obras en esta retrospectiva enfocada del trabajo de Al Loving, puestas como est\u00e1n en el marco inerte del cubo blanco, que podr\u00edan describirse mejor por las actividades que resultaron en su creaci\u00f3n: apilar, tejer, capa, rasgar, cortar, gotear. Las cinco obras de la primera galer\u00eda son esencialmente collages de espirales y cuadr\u00edculas entretejidas, a menudo pintadas, relucientes y glosadas con un brillo chill\u00f3n y reflectante. A la vez gal\u00e1cticos y astutos, empujan contra las ortodoxias del medio, ya que no tienen base ni matriz sobre la que se coloquen los diversos elementos. En otras palabras, son todo collage, con un feliz exceso de sinuosos bordes expuestos.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/www.artforum.com\/picks\/id=68868\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>So voracious is the presence of the twelve works in this focused retrospective of Al Loving\u2019s work, set as they are against the inert framing of the white cube, that they might be better described by the activities that resulted in their making: stack, weave, layer, tear, cut, drip. The five works in the first [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1134","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":5,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1134\/revisions"}],"predecessor-version":[{"id":1304,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1134\/revisions\/1304"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}