{"id":1145,"date":"2021-02-01T13:20:45","date_gmt":"2021-02-01T21:20:45","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1145"},"modified":"2021-02-01T13:20:45","modified_gmt":"2021-02-01T21:20:45","slug":"al-lovings-rag-paper-collages-from-the-1980s-go-on-view","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/al-lovings-rag-paper-collages-from-the-1980s-go-on-view\/","title":{"rendered":"Collages de papel de trapo de Al Loving de la d\u00e9cada de 1980 Ir a la vista"},"content":{"rendered":"<p>Despu\u00e9s de comenzar su carrera con pinturas gestuales en la l\u00ednea del expresionismo abstracto, Al Loving cambi\u00f3 de marcha con su exposici\u00f3n individual de 1969 en el Museo Whitney, la primera exposici\u00f3n individual del museo de un artista afroamericano, que muestra el minimalismo geom\u00e9trico de bordes duros en el que se convertir\u00eda. bien conocido por. En las d\u00e9cadas siguientes, Loving explor\u00f3 nuevas direcciones, creando abstracciones m\u00e1s org\u00e1nicas a partir de lienzos rasgados y cosidos, intercambiando un formalismo sobrio por una est\u00e9tica exuberante y sin l\u00edmites.&nbsp;<em>Spiral Play: Amar en los 80<\/em>&nbsp;en Art + Practice presenta 12 collages tridimensionales creados con papel de trapo, algunos bastante grandes, que se inspiran en diversas influencias, desde el free jazz hasta la tradici\u00f3n afroamericana de acolchado. (La madre y la abuela de Loving eran ambas tejedoras, y \u00e9l se sentaba a sus pies cuando era ni\u00f1o mientras trabajaban).<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/hyperallergic.com\/373083\/al-lovings-rag-paper-collages-from-the-1980s-go-on-view\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>After beginning his career with gestural paintings in the vein of Abstract Expressionism, Al Loving switched gears with his 1969 solo show at the Whitney Museum \u2014 the museum\u2019s first solo show by an African American artist \u2014 showcasing the hard-edged, geometric minimalism he would become well known for. In the decades that followed, Loving [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1145","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1145"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1145\/revisions"}],"predecessor-version":[{"id":1309,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1145\/revisions\/1309"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}