{"id":1157,"date":"2021-02-01T12:12:16","date_gmt":"2021-02-01T20:12:16","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1157"},"modified":"2021-02-01T12:14:29","modified_gmt":"2021-02-01T20:14:29","slug":"review-alex-da-corte-set-pop-aflame-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/review-alex-da-corte-set-pop-aflame-at-art-practice\/","title":{"rendered":"Rese\u00f1a: Alex Da Corte prendi\u00f3 fuego al pop en Art + Practice"},"content":{"rendered":"<p>Con sus colores vivos, su atractivo directo para el comercio y su \u00e9nfasis alegre en la diversi\u00f3n, el pop no suele considerarse una de las artes oscuras. El trabajo de Alex Da Corte parece ser una excepci\u00f3n a la regla.<\/p>\n\n\n\n<p>Un hilo de profunda e inquietante desesperaci\u00f3n recorre el ambiente aparentemente alegre y los accesorios teatrales exc\u00e9ntricos de &quot;A Season in He&#039;ll&quot;, una elaborada instalaci\u00f3n en Art + Practice que forma el debut en solitario del artista con sede en Filadelfia en Los \u00c1ngeles.<\/p>\n\n\n\n<p>Organizado por la curadora saliente del Museo Hammer, Jamillah James, el entorno de tres habitaciones est\u00e1 iluminado desde arriba por luces fluorescentes en colores dulces como rosa, naranja y verde. Sin embargo, el dulce es como algo sospechoso que se deja caer en la bolsa de truco o trato de Halloween de un ni\u00f1o.<\/p>\n\n\n\n<p>Da Corte construye una narrativa atmosf\u00e9rica, y es sombr\u00eda. Hojas de afeitar emocionales acechan dentro de la manzana brillante.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/la-et-cm-alex-da-corte-art-practice-20160809-snap-story.html\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>With its vivid colors, direct appeal to commerce and jaunty emphasis on diversionary amusement, Pop is not often regarded as one of the dark arts. The work of Alex Da Corte seems to be an exception to the rule. A thread of deep, disquieting despair runs through the seemingly cheerful environment and eccentric theatrical props [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1157","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1157"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1157\/revisions"}],"predecessor-version":[{"id":1249,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1157\/revisions\/1249"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}