{"id":1188,"date":"2021-02-01T12:52:26","date_gmt":"2021-02-01T20:52:26","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1188"},"modified":"2021-02-01T12:52:26","modified_gmt":"2021-02-01T20:52:26","slug":"critics-picks-los-angeles-john-outterbridge","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/critics-picks-los-angeles-john-outterbridge\/","title":{"rendered":"Elecciones de los cr\u00edticos: Los \u00c1ngeles: John Outterbridge"},"content":{"rendered":"<p>\u201cLos paquetes viajan como personas\u201d, dice una etiqueta de equipaje adherida a la escultura Case in Point de John Outterbridge, ca. 1970. Una pieza plana de lona pintada de color marr\u00f3n se abrocha alrededor de siete objetos oblongos disecados cuyas dimensiones similares a extremidades sugieren lo contrario de lo que afirma la etiqueta. El trabajo encarna una met\u00e1fora apenas velada de la representaci\u00f3n y el tratamiento de las personas negras como objetos, y encontrarlo hoy insin\u00faa una inquietante continuidad entre las eras de Black Power y Black Lives Matter. Es un buen punto de entrada al trabajo incisivo y socialmente consciente de Outterbridge.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"https:\/\/www.artforum.com\/picks\/john-outterbridge-57628\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u201cPackages travel like people\u201d reads a luggage tag affixed to John Outterbridge\u2019s sculpture Case in Point, ca. 1970. A flat piece of brown painted canvas is buckled around seven stuffed oblong objects whose limb-like dimensions suggest the reverse of the tag\u2019s claim. The work embodies a thinly veiled metaphor for the representation and treatment of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1188","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"predecessor-version":[{"id":1273,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1188\/revisions\/1273"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}