{"id":1200,"date":"2021-02-01T13:03:53","date_gmt":"2021-02-01T21:03:53","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1200"},"modified":"2021-02-01T13:03:53","modified_gmt":"2021-02-01T21:03:53","slug":"artrx-la-john-outterbridge-rag-man","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/es\/news\/artrx-la-john-outterbridge-rag-man\/","title":{"rendered":"ArtRx LA: John Outterbridge: Hombre de trapo"},"content":{"rendered":"<p>Al igual que sus compa\u00f1eros artistas Noah Purifoy y Ed Kienholz, John Outterbridge fue una figura pionera en el movimiento de arte de ensamblaje de California, dando nueva vida a la basura descartada y los desechos urbanos incorpor\u00e1ndolos a su obra de arte. Tambi\u00e9n fue un miembro fundamental de la escena art\u00edstica afroamericana en Los \u00c1ngeles, y se desempe\u00f1\u00f3 como director art\u00edstico de la Academia de Artes Comunicativas en Compton de 1969 a 1975 y como director del Watts Towers Art Center de 1975 a 1992. Rag Man presenta trabajos de los \u00faltimos 15 a\u00f1os hechos con herramientas, ramitas, huesos y cabello, todos parecidos a objetos talism\u00e1nicos, as\u00ed como una selecci\u00f3n de importantes trabajos anteriores.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo&nbsp;<strong><a href=\"http:\/\/hyperallergic.com\/259515\/art-rx-la-3\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Like fellow artists Noah Purifoy and Ed Kienholz, John Outterbridge was a pioneering figure in the California assemblage art movement, giving new life to discarded junk and urban detritus by incorporating them into his artwork. He was also a seminal member of the African-American art scene in Los Angeles, serving as the artistic director of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1200","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1200"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1200\/revisions"}],"predecessor-version":[{"id":1284,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1200\/revisions\/1284"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}