{"id":469,"date":"2021-01-15T12:48:30","date_gmt":"2021-01-15T20:48:30","guid":{"rendered":"https:\/\/artandpractice.kudos.nyc\/?post_type=public_program&#038;p=469"},"modified":"2021-09-05T13:52:36","modified_gmt":"2021-09-05T20:52:36","slug":"reflecting-on-angola-with-keith-calhoun-chandra-mccormick-gary-tyler-and-dhyandra-lawson","status":"publish","type":"public_program","link":"https:\/\/artandpractice.org\/es\/public-programs\/program\/reflecting-on-angola-with-keith-calhoun-chandra-mccormick-gary-tyler-and-dhyandra-lawson\/","title":{"rendered":"REFLEXIONANDO SOBRE ANGOLA CON KEITH CALHOUN, CHANDRA MCCORMICK, GARY TYLER Y DHYANDRA LAWSON"},"content":{"rendered":"<p>Los artistas Keith Calhoun y Chandra McCormick conversan con Dhyandra Lawson, asistente curatorial en el Departamento de Fotograf\u00eda de Wallis Annenberg en LACMA, y el activista Gary Tyler con motivo de la exposici\u00f3n,&nbsp;<em>Slavery, The Prison Industrial Complex: Fotograf\u00edas de Keith Calhoun y Chandra McCormick<\/em>. La exposici\u00f3n de fotograf\u00edas, iniciada a principios de la d\u00e9cada de 1980, presenta un relato hist\u00f3rico y un testimonio de la vida en la penitenciar\u00eda estatal de Luisiana, Angola, donde Gary Tyler estuvo encarcelado por error en el corredor de la muerte durante 41 a\u00f1os antes de que se anulara su condena en 2016.<\/p>","protected":false},"featured_media":0,"template":"","public_program_type":[18],"available_media":[11,13],"class_list":["post-469","public_program","type-public_program","status-publish","hentry","public_program_type-panel-discussion","available_media-audio-recording","available_media-live-programming"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program\/469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/public_program"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=469"}],"wp:term":[{"taxonomy":"public_program_type","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program_type?post=469"},{"taxonomy":"available_media","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/available_media?post=469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}