{"id":498,"date":"2021-01-14T14:22:49","date_gmt":"2021-01-14T22:22:49","guid":{"rendered":"https:\/\/artandpractice.kudos.nyc\/?post_type=public_program&#038;p=498"},"modified":"2021-09-03T16:54:34","modified_gmt":"2021-09-03T23:54:34","slug":"in-conversation-fred-moten-and-pat-thomas","status":"publish","type":"public_program","link":"https:\/\/artandpractice.org\/es\/public-programs\/program\/in-conversation-fred-moten-and-pat-thomas\/","title":{"rendered":"EN CONVERSACI\u00d3N: FRED MOTEN Y PAT THOMAS"},"content":{"rendered":"<p>Fred Moten es profesor de la Universidad de California, Riverside, poeta y autor de&nbsp;<em>In the Break: La est\u00e9tica de la tradici\u00f3n radical negra<\/em>&nbsp;(Prensa de la Universidad de Minnesota, 2003),&nbsp;<em>B. Jenkins<\/em>&nbsp;(Duke University Press, 2010) y coautor (con Stefano Harney) de&nbsp;<em>The Undercommons: Planificaci\u00f3n fugitiva y estudio negro<\/em>&nbsp;(Composiciones menores, 2013). Pat Thomas es historiador musical, productor de discos y autor de&nbsp;<em>\u00a1Escucha, Whitey !: Las vistas y los sonidos del movimiento Black Power<\/em>&nbsp;(Fantagraphics, 2012). Esta conversaci\u00f3n, organizada con motivo de&nbsp;<em>Charles Gaines: Libretos: Manuel de Falla \/ Stokely Carmichael<\/em>, profundizar\u00e1 en la investigaci\u00f3n de Moten y Thomas sobre los movimientos por los derechos civiles y el poder negro, particularmente en Los \u00c1ngeles, y la m\u00fasica, los escritos y la est\u00e9tica que surgieron durante esos tiempos, y su influencia en los movimientos sociales posteriores.<\/p>","protected":false},"featured_media":0,"template":"","public_program_type":[16],"available_media":[11,13],"class_list":["post-498","public_program","type-public_program","status-publish","hentry","public_program_type-in-conversation-2","available_media-audio-recording","available_media-live-programming"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program\/498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/public_program"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=498"}],"wp:term":[{"taxonomy":"public_program_type","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program_type?post=498"},{"taxonomy":"available_media","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/available_media?post=498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}