{"id":502,"date":"2021-01-14T14:07:10","date_gmt":"2021-01-14T22:07:10","guid":{"rendered":"https:\/\/artandpractice.kudos.nyc\/?post_type=public_program&#038;p=502"},"modified":"2021-09-03T16:46:47","modified_gmt":"2021-09-03T23:46:47","slug":"in-conversation-dale-brockman-davis-and-alonzo-davis-with-naima-j-keith","status":"publish","type":"public_program","link":"https:\/\/artandpractice.org\/es\/public-programs\/program\/in-conversation-dale-brockman-davis-and-alonzo-davis-with-naima-j-keith\/","title":{"rendered":"EN CONVERSACI\u00d3N: DALE BROCKMAN DAVIS Y ALONZO DAVIS CON NAIMA J. KEITH"},"content":{"rendered":"<p>La primera de la serie de charlas p\u00fablicas de artistas en residencia en Art + Practice incluye a Dale Brockman Davis y Alonzo Davis, los fundadores y propietarios de Brockman Gallery y Brockman Productions de Leimert Park, que exhibi\u00f3 a artistas c\u00e9lebres como David Hammons, Senga Nengudi y Charles. White al principio de sus carreras. Mientras resida en A + P, Brockman Davis archivar\u00e1 los registros y la ef\u00edmera de Brockman Gallery y Brockman Productions, un proceso que comenz\u00f3 durante la investigaci\u00f3n para la exposici\u00f3n Hammer 2011.&nbsp;<em>Ahora profundice en esto: el arte negro y Los \u00c1ngeles 1960\u20131980<\/em>y culminar\u00e1 en una exposici\u00f3n y un archivo digitales vivos. Este programa p\u00fablico examinar\u00e1 los desaf\u00edos de archivar y localizar materiales relacionados con una historia en particular, las implicaciones de tales iniciativas para la erudici\u00f3n hist\u00f3rica del arte y c\u00f3mo esta iniciativa puede impactar y servir a una comunidad m\u00e1s amplia.<\/p>","protected":false},"featured_media":706,"template":"","public_program_type":[16],"available_media":[11,13],"class_list":["post-502","public_program","type-public_program","status-publish","has-post-thumbnail","hentry","public_program_type-in-conversation-2","available_media-audio-recording","available_media-live-programming"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program\/502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program"}],"about":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/types\/public_program"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media\/706"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=502"}],"wp:term":[{"taxonomy":"public_program_type","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/public_program_type?post=502"},{"taxonomy":"available_media","embeddable":true,"href":"https:\/\/artandpractice.org\/es\/wp-json\/wp\/v2\/available_media?post=502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}