{"id":1063,"date":"2021-02-01T13:44:51","date_gmt":"2021-02-01T21:44:51","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1063"},"modified":"2021-02-01T13:44:51","modified_gmt":"2021-02-01T21:44:51","slug":"agnes-gund-and-mark-bradford-on-art-and-social-justice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/ja\/news\/agnes-gund-and-mark-bradford-on-art-and-social-justice\/","title":{"rendered":"\u82b8\u8853\u3068\u793e\u4f1a\u6b63\u7fa9\u306b\u95a2\u3059\u308b\u30a2\u30b0\u30cd\u30b9\u30fb\u30ac\u30f3\u30c9\u3068\u30de\u30fc\u30af\u30fb\u30d6\u30e9\u30c3\u30c9\u30d5\u30a9\u30fc\u30c9"},"content":{"rendered":"

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\u8a18\u4e8b\u5168\u6587\u3092\u8aad\u3080 \u3053\u3053<\/strong><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Agnes Gund, the pioneering collector and former president of the Museum of Modern Art, has devoted her life to a form of activist arts philanthropy that stands as a paradigm not only for her generation but also for those to come. To address the near-elimination of arts education in public schools during the New York City fiscal crisis in 1977, she used her resources to begin Studio in a School, a nonprofit that sends professional artists into schools and community organizations to lead classes and assist teachers; to date the organization has reached more than 850,000 students with its programs. For that and other efforts, she received the 1997 National […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1063","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/comments?post=1063"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1063\/revisions"}],"predecessor-version":[{"id":1342,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1063\/revisions\/1342"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/media?parent=1063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/categories?post=1063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/tags?post=1063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}