{"id":1108,"date":"2021-02-01T13:36:51","date_gmt":"2021-02-01T21:36:51","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1108"},"modified":"2021-02-01T13:36:51","modified_gmt":"2021-02-01T21:36:51","slug":"i-believe-deeply-that-the-best-kind-of-art-is-public-an-interview-with-senga-nengudi","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/ja\/news\/i-believe-deeply-that-the-best-kind-of-art-is-public-an-interview-with-senga-nengudi\/","title":{"rendered":"\u300c\u6700\u9ad8\u306e\u82b8\u8853\u306f\u516c\u306e\u5834\u3067\u3042\u308b\u3068\u6df1\u304f\u4fe1\u3058\u3066\u3044\u308b\u300d\uff1aSengaNengudi\u3078\u306e\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc"},"content":{"rendered":"<p>\u4f1d\u8aac\u7684\u306a\u5f6b\u523b\u5bb6\u3067\u3042\u308a\u30d1\u30d5\u30a9\u30fc\u30de\u30f3\u30b9\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3067\u3082\u3042\u308b\u6db2\u4f53\u5f6b\u523b\u3001\u30c0\u30f3\u30b9\u306e\u653f\u6cbb\u3001\u30ca\u30a4\u30ed\u30f3\u30db\u30fc\u30b6\u30ea\u30fc\u306e\u89e3\u653e\u7684\u306a\u7279\u8cea\u306b\u3064\u3044\u3066\u8a9e\u308a\u307e\u3059\u3002<\/p>\n\n\n\n<p>\u6fc0\u52d5\u306e\u516c\u6c11\u6a29\u6642\u4ee3\uff081954\u201368\uff09\u306b\u767b\u5834\u3057\u305f\u30ed\u30b5\u30f3\u30bc\u30eb\u30b9\u3092\u62e0\u70b9\u3068\u3059\u308b\u82b8\u8853\u5bb6\u306e\u6025\u9032\u7684\u306a\u4e16\u4ee3\u306e\u4e00\u54e1\u3068\u3057\u3066\u3001Senga 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href=\"https:\/\/frieze.com\/article\/i-believe-deeply-best-kind-art-public-interview-senga-nengudi\">\u3053\u3053<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>The legendary sculptor and performance artist talks liquid sculpture, the politics of dance and the liberating qualities of nylon hosiery. As a member of a radical generation of Los Angeles-based artists who emerged during the turbulent Civil Rights Era (1954\u201368), Senga Nengudi\u2019s practice has expanded the threshold between sculpture and performance art. At a time when traditional media had given way to the dematerialization of the art object, Nengudi set about inventing her own artistic language with little more than a pair of nylon stockings. In her early experiments, skin-like materials filled rooms and spaces, having been stretched and pulled, tied and knotted, twisted and suspended from walls and ceilings. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1108","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/comments?post=1108"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1108\/revisions"}],"predecessor-version":[{"id":1326,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1108\/revisions\/1326"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/media?parent=1108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/categories?post=1108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/tags?post=1108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}