{"id":1179,"date":"2021-02-01T12:30:39","date_gmt":"2021-02-01T20:30:39","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1179"},"modified":"2021-02-01T12:30:39","modified_gmt":"2021-02-01T20:30:39","slug":"review-john-otterbridge","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/ja\/news\/review-john-otterbridge\/","title":{"rendered":"\u30ec\u30d3\u30e5\u30fc\uff1a\u30b8\u30e7\u30f3\u30aa\u30c3\u30bf\u30fc\u30d6\u30ea\u30c3\u30b8"},"content":{"rendered":"<p>\u30d1\u30b5\u30c7\u30ca\u7f8e\u8853\u9928\uff08\u73fe\u5728\u306e\u30ce\u30fc\u30c8\u30f3\u30b5\u30a4\u30e2\u30f3\u7f8e\u8853\u9928\uff09\u3068\u30ef\u30c3\u30c4\u30bf\u30ef\u30fc\u30ba\u30a2\u30fc\u30c4\u30bb\u30f3\u30bf\u30fc\u3067\u82b8\u8853\u884c\u653f\u306e\u5206\u91ce\u3067\u5353\u8d8a\u3057\u305f\u7d4c\u6b74\u3092\u6301\u3063\u3066\u3044\u305f\u516b\u5341\u4ee3\u306e\u30b8\u30e7\u30f3\u30fb\u30a2\u30a6\u30bf\u30fc\u30d6\u30ea\u30c3\u30b8\u306f\u3001\u5bb6\u65cf\u3084\u500b\u4eba\u3092\u632f\u308a\u8fd4\u308a\u306a\u304c\u3089\u30a2\u30e1\u30ea\u30ab\u306e\u5974\u96b7\u5236\u3092\u601d\u3044\u8d77\u3053\u3055\u305b\u308b\u5f7c\u306e\u5fc3\u306b\u8a34\u3048\u308b\u96c6\u56e3\u3067\u6700\u3082\u3088\u304f\u77e5\u3089\u308c\u3066\u3044\u307e\u3059\u3002\u6b74\u53f2\u3002\u5f7c\u306e\u6700\u8fd1\u306e\u30b7\u30e7\u30fc\u300c\u30e9\u30b0\u30de\u30f3\u300d\u306f\u3001\u4e3b\u306b2008\u5e74\u304b\u30892012\u5e74\u306e\u9593\u306b\u4f5c\u3089\u308c\u305f\u4f5c\u54c1\u306b\u7126\u70b9\u3092\u5f53\u3066\u307e\u3057\u305f\u3002<\/p>\n\n\n\n<p>\u30d5\u30ed\u30f3\u30c8\u30ae\u30e3\u30e9\u30ea\u30fc\u3067\u306f\u3001\u6e29\u304b\u307f\u306e\u3042\u308b\u30a2\u30ad\u30ce\u30ad\u30ea\u30f3\u30bd\u30a6\u304c\u63cf\u304b\u308c\u305f\u96a3\u63a5\u3059\u308b2\u3064\u306e\u58c1\u306b\u3001\u78e8\u8017\u3057\u305f\u6728\u6750\u3001\u9306\u3073\u305f\u9244\u3001\u8272\u3042\u305b\u305f\u307c\u308d\u304d\u308c\u306a\u3069\u306e\u518d\u751f\u6750\u6599\u3067\u4f5c\u3089\u308c\u305f12\u500b\u307b\u3069\u306e\u96c6\u5408\u4f53\u304c\u5c55\u793a\u3055\u308c\u3066\u3044\u307e\u3057\u305f\u3002\u6700\u521d\u306b\u51fa\u4f1a\u3063\u305f\u4f5c\u54c1\u3001I 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Caged\uff082008\uff09\u306f\u3001\u540c\u69d8\u306e\u30a2\u30f3\u30d3\u30d0\u30ec\u30f3\u30b9\u3092\u4f1d\u3048\u3066\u3044\u307e\u3059\u3002\u5c0f\u679d\u3067\u4f5c\u3089\u308c\u305f\u56de\u3057\u8eca\u3092\u5f77\u5f7f\u3068\u3055\u305b\u308b\u69cb\u9020\u306e\u4e2d\u306b\u5c0f\u3055\u306a\u6728\u88fd\u306e\u4eba\u5f62\u304c\u7f6e\u304b\u308c\u3001\u307c\u308d\u304d\u308c\u3067\u7e1b\u3089\u308c\u3066\u3044\u307e\u3059\u3002\u6abb\u306b\u5165\u308c\u3089\u308c\u305f\u4eba\u5f62\u306e\u7b11\u9854\u306f\u3001\u30c9\u30ed\u30fc\u30eb\u3067\u3042\u308a\u306a\u304c\u3089\u60b2\u60e8\u3067\u3059\u3002<\/p>\n\n\n\n<p>1933\u5e74\u306b\u30ce\u30fc\u30b9\u30ab\u30ed\u30e9\u30a4\u30ca\u5dde\u30b0\u30ea\u30fc\u30f3\u30d3\u30eb\u3067\u751f\u307e\u308c\u305fOutterbridge\u306f\u3001\u30c8\u30e9\u30c3\u30af\u306e\u5f8c\u308d\u304b\u3089\u79fb\u52d5\u5f0f\u306e\u5ec3\u54c1\u7f6e\u304d\u5834\u3092\u8d70\u3089\u305b\u305f\u7236\u89aa\u306e\u5f71\u97ff\u3092\u53d7\u3051\u3001\u30d4\u30a2\u30ce\u3092\u5f3e\u304d\u3001\u8a69\u3092\u66f8\u304d\u3001\u30ad\u30eb\u30c8\u3092\u4f5c\u308a\u3001\u606f\u5b50\u306b\u4e2d\u53e4\u54c1\u3092\u63d0\u4f9b\u3057\u307e\u3057\u305f\u3002\u6750\u6599\u3002 70\u5e74\u4ee3\u521d\u982d\u3001Outterbridge\u306f\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u3067\u6559\u80b2\u8005\u304a\u3088\u3073\u8a2d\u7f6e\u8005\u3068\u3057\u3066\u50cd\u304d\u3001Andy Warhol\u3001Richard Serra\u3001Robert Rauschenberg\u3001Mark di Suvero\uff08\u5f7c\u304c\u6642\u3005\u501f\u308a\u305f\u30b9\u30bf\u30b8\u30aa\u3068\u6a5f\u68b0\uff09\u306a\u3069\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u306b\u4f1a\u3044\u307e\u3057\u305f\u3002<\/p>\n\n\n\n<p>\u53f0\u5ea7\u306e\u4e0a\u306b\u7f6e\u304b\u308c\u305fCasein 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1955\u5e74\u3001\u5f7c\u304c\u7d0450\u5e74\u5f8c\u306b\u30ed\u30b5\u30f3\u30bc\u30eb\u30b9\u30bf\u30a4\u30e0\u30ba\u306b\u8a9e\u3063\u305f\u3068\u304d\u3001\u30aa\u30c3\u30bf\u30fc\u30d6\u30ea\u30c3\u30b8\u306f\u5b8c\u5168\u306a\u8ecd\u670d\u3092\u7740\u305f\u30d0\u30b9\u306b\u4e57\u308a\u8fbc\u307f\u3001\u904b\u8ee2\u624b\u304b\u3089\u8eca\u4e21\u306e\u5f8c\u308d\u306b\u884c\u304f\u3088\u3046\u306b\u547d\u3058\u3089\u308c\u307e\u3057\u305f\u3002\u5f7c\u306f\u5f93\u3044\u3001\u305d\u3057\u3066\u5ea7\u3063\u3066\u6ce3\u3044\u305f\u3002\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u306b\u3068\u3063\u3066\u3001\u305d\u3057\u3066\u540c\u69d8\u306e\u7d4c\u9a13\u3092\u6301\u3064\u4ed6\u306e\u7121\u6570\u306e\u30a2\u30d5\u30ea\u30ab\u7cfb\u30a2\u30e1\u30ea\u30ab\u4eba\u306b\u3068\u3063\u3066\u3001\u8f38\u9001\u30b9\u30ed\u30fc\u30ac\u30f3\u306f\u3001\u305d\u306e\u9006\u304c\u3057\u3070\u3057\u3070\u771f\u5b9f\u3067\u3042\u308b\u3053\u3068\u3092\u76ae\u8089\u306a\u3053\u3068\u306b\u601d\u3044\u51fa\u3055\u305b\u307e\u3059\u3002\u4e00\u90e8\u306e\u4eba\u3005\u306f\u8ca8\u7269\u306e\u3088\u3046\u306b\u65c5\u884c\u3057\u307e\u3059\u3002<\/p>\n\n\n\n<p>\u8a18\u4e8b\u5168\u6587\u3092\u8aad\u3080&nbsp;<strong><a href=\"http:\/\/www.artinamericamagazine.com\/reviews\/john-outterbridge-1\/\">\u3053\u3053<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Octogenarian John Outterbridge, who had a distinguished career in arts administration at the Pasadena Art Museum (now the Norton Simon Museum) and the Watts Towers Arts Center, is best known for his poignant assemblages that meld reminders of American slavery with reflections on family and personal history. His recent show \u201cRag Man\u201d focused primarily on works made between 2008 and 2012. In the front gallery, a dozen or so assemblages fashioned from reclaimed materials such as worn wood, rusty iron and faded rags were displayed on two adjacent walls painted a warm goldenrod. The first piece one encountered, I Mus Speak (2008), is a veritable self-portrait, with tangled human dreadlocks [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1179","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/comments?post=1179"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1179\/revisions"}],"predecessor-version":[{"id":1266,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1179\/revisions\/1266"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/media?parent=1179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/categories?post=1179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/tags?post=1179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}