{"id":1182,"date":"2021-02-01T12:49:38","date_gmt":"2021-02-01T20:49:38","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1182"},"modified":"2021-02-01T12:49:38","modified_gmt":"2021-02-01T20:49:38","slug":"critics-guide-los-angeles","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/ja\/news\/critics-guide-los-angeles\/","title":{"rendered":"\u8a55\u8ad6\u5bb6\u30ac\u30a4\u30c9\uff1a\u30ed\u30b5\u30f3\u30bc\u30eb\u30b9"},"content":{"rendered":"<p>\u30b8\u30e3\u30df\u30e9\u30fb\u30b8\u30a7\u30fc\u30e0\u30ba\u306b\u3088\u3063\u3066\u30ad\u30e5\u30ec\u30fc\u30b7\u30e7\u30f3\u3055\u308c\u305f\u30cf\u30de\u30fc\u7f8e\u8853\u9928\u306e\u30aa\u30d5\u30b5\u30a4\u30c8\u5c55\u793a\u4f1a\u300cA Shape That Stands Up\u300d\u306f\u3001\u6bd4\u55a9\u7684\u306a\u62bd\u8c61\u753b\u306b\u57fa\u3065\u3044\u305f\u7d75\u753b\u3001\u30c9\u30ed\u30fc\u30a4\u30f3\u30b0\u3001\u5f6b\u523b\u306e\u30b0\u30eb\u30fc\u30d7\u3092\u7279\u5fb4\u3068\u3057\u3066\u3044\u307e\u3059\u3002\u3053\u308c\u306f\u3088\u304f\u8e0f\u307e\u308c\u305f\u5730\u9762\u306e\u3088\u3046\u306b\u898b\u3048\u308b\u304b\u3082\u3057\u308c\u307e\u305b\u3093\u304c\u3001\u3053\u3053\u3067\u5c55\u793a\u3092\u969b\u7acb\u305f\u305b\u308b2\u3064\u306e\u5370\u8c61\u7684\u306a\u5074\u9762\u304c\u3042\u308a\u307e\u3059\u30021\u3064\u306f\u6709\u540d\u306a\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3068\u65b0\u8208\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u306e\u4e21\u65b9\u306e\u7d71\u5408\u3001\u3082\u30461\u3064\u306f\u4f5c\u54c1\u306e\u9593\u306b\u5b58\u5728\u3059\u308b\u5171\u901a\u306e\u8ca0\u62c5\u611f\u3067\u3059\u3002\u91cd\u3055\u3001\u72c2\u4e71\u3001\u30b0\u30ed\u30c6\u30b9\u30af\u3055\u3002<\/p>\n\n\n\n<p>\u30de\u30b9\u30d0\u30b9\u306e&nbsp;<em>\u305d\u3057\u3066\u305d\u306e\u5f71<\/em>&nbsp;\uff082014\uff09\u305f\u3068\u3048\u3070\u3001\u982d\u306e\u306a\u3044\u4eba\u7269\u306b\u4f3c\u305f\u91d1\u5c5e\u677f\u304c\u58c1\u306b\u5927\u304d\u304f\u3076\u3064\u304b\u308a\u307e\u3059\u3002\u30b8\u30e3\u30df\u30a2\u30f3\u30fb\u30b8\u30e5\u30ea\u30a2\u30fc\u30ce-\u30d3\u30e9\u30fc\u30cb\u306e&nbsp;<em>\u30d1\u30bb\u30fc\u30a4\u30af\u3067\u751f\u304d\u3066\u6b7b\u306c<\/em>\uff082016\uff09\u306f\u3001\u90e8\u5206\u7684\u306b\u76ae\u3092\u3080\u3044\u305f\u30aa\u30ec\u30f3\u30b8\u3092\u3001\u5c0f\u3055\u306a\u811a\u3067\u30ad\u30e3\u30f3\u30d0\u30b9\u5168\u4f53\u306b\u91cd\u3044\u679c\u8089\u3092\u904b\u3093\u3067\u63cf\u3044\u3066\u3044\u307e\u3059\u3002\u305d\u3057\u3066\u3001\u30b9\u30fc\u30fb\u30a6\u30a3\u30ea\u30a2\u30e0\u30ba\u306e\u56de\u8ee2\u3059\u308b\u6f2b\u753b\u306e\u81d3\u5668\u306e\u66b4\u529b\u7684\u306a\u30de\u30c3\u30b7\u30e5&nbsp;<em>\u6c11\u4e3b\u5316#3<\/em>&nbsp;\uff082006\uff09\u306f\u3001D&#039;Metrius&#039;DJ&#039;Rice&#039;s\u306e\u8eab\u4f53\u306e\u306a\u3044\u624b\u8db3\u3092\u3064\u304b\u3093\u3067\u8e74\u308b\u306e\u3068\u4e26\u3093\u3067\u8a2d\u5b9a\u3055\u308c\u3066\u3044\u307e\u3059&nbsp;<em>\u6700\u5f8c\u901a\u7252\/DigMeOut\uff08\u6210\u719f\u5ea6\uff09<\/em>&nbsp;\uff082015\uff09\u3001\u30d1\u30f3\u30af\u30fb\u30b8\u30fc\u30f3\u306e\u7c97\u91ce\u306a\u7f8e\u5b66\u3068\u30aa\u30c3\u30c8\u30fc\u30fb\u30c7\u30a3\u30af\u30b9\u306e\u904e\u9177\u306a\u30ea\u30a2\u30ea\u30ba\u30e0\u306e\u9593\u306e\u3069\u3053\u304b\u306b\u4f4d\u7f6e\u3059\u308b\u4f5c\u54c1\u3002<\/p>\n\n\n\n<p>\u8a18\u4e8b\u5168\u6587\u3092\u8aad\u3080&nbsp;<strong><a href=\"http:\/\/frieze.com\/article\/critics-guide-los-angeles\">\u3053\u3053<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u2018A Shape That Stands Up\u2019, a Hammer Museum off-site exhibition curated by Jamillah James, features a group of paintings, drawings and sculptures that are founded in figurative abstraction. This may appear as well-trodden ground, but there are two striking aspects here that set the exhibition apart: firstly, the integration of both well-known and emerging artists, and secondly, the common sense of burden that is present amongst the works: a heaviness, a frenzy, a grotesque-ness. Math Bass\u2019s&nbsp;And Its Shadow&nbsp;(2014), for example, a metal sheet resembling a headless figure, slouches heavily against the wall. Jamian Juliano-Villani\u2019s&nbsp;To Live and Die in Passaic(2016), portrays a partially peeled orange carrying its own heavy pulp across [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1182","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/comments?post=1182"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1182\/revisions"}],"predecessor-version":[{"id":1268,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1182\/revisions\/1268"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/media?parent=1182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/categories?post=1182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/tags?post=1182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}