{"id":1210,"date":"2021-02-01T13:06:38","date_gmt":"2021-02-01T21:06:38","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1210"},"modified":"2021-02-01T13:06:38","modified_gmt":"2021-02-01T21:06:38","slug":"njideka-akunyili-crosby-and-akosua-adoma-owusu-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/ja\/news\/njideka-akunyili-crosby-and-akosua-adoma-owusu-at-art-practice\/","title":{"rendered":"\u30a2\u30fc\u30c8+\u30d7\u30e9\u30af\u30c6\u30a3\u30b9\u3067\u306eNjidekaAkunyiliCrosby\u3068AkosuaAdoma Owusu"},"content":{"rendered":"<p>Njideka AkunyiliCrosby\u306f\u56fd\u5185\u306b\u4f4f\u3093\u3067\u3044\u307e\u3059\u3002 Art + Practice\u3067\u306e\u5f7c\u5973\u306e\u65b0\u4f5c\u306e\u30b7\u30e7\u30fc\u306b\u306f\u3001\u9577\u3044\u9593\u99b4\u67d3\u307f\u306e\u3042\u308b\u30ea\u30d3\u30f3\u30b0\u30eb\u30fc\u30e0\u306b\u8db3\u3092\u8e0f\u307f\u5165\u308c\u308b\u3088\u3046\u306a\u6696\u304b\u3055\u304c\u3042\u308a\u307e\u3059\u3002\u7d19\u306b\u63cf\u304b\u308c\u305f\u5927\u898f\u6a21\u306a\u4f5c\u54c1\u306f\u3001\u5bb6\u65cf\u3084\u53cb\u4eba\u3068\u4e00\u7dd2\u306b\u3001\u5b89\u3089\u304e\u3068\u5b89\u3089\u304e\u306e\u30dd\u30fc\u30ba\u3067\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3092\u63cf\u3044\u3066\u3044\u307e\u3059\u3002\u5f7c\u3089\u306f\u3001\u6291\u3048\u304d\u308c\u306a\u3044\u81ea\u4fe1\u3092\u6301\u3063\u3066\u984d\u7e01\u304b\u3089\u76f4\u63a5\u898b\u3048\u307e\u3059\uff1a\u300c\u7f8e\u3057\u304f\u300d\u305d\u3057\u3066\u8a87\u308a\u306b\u601d\u3063\u3066\u3044\u307e\u3059\u3002\u5973\u6027\u304a\u3088\u3073\u6709\u8272\u4eba\u3068\u3057\u3066\u3001\u3053\u308c\u3089\u306e\u8868\u73fe\u306e\u653f\u6cbb\u306f\u30a2\u30af\u30fc\u30cb\u30fc\u30ea\u30fb\u30af\u30ed\u30b9\u30d3\u30fc\u3067\u5931\u308f\u308c\u3066\u3044\u307e\u305b\u3093\u3002\u5f7c\u5973\u306e\u975e\u767d\u4eba\u306e\u601d\u616e\u6df1\u3044\u8868\u73fe\u306f\u3001\u73fe\u5728\u3001\u30ec\u30a4\u30de\u30fc\u30c8\u30d1\u30fc\u30af\u3060\u3051\u3067\u306a\u304f\u3001\u30cf\u30f3\u30de\u30fc\u306e\u672c\u9928\u306b\u3082\u5c55\u793a\u3055\u308c\u3066\u3044\u307e\u3059\u3002\u30a6\u30a7\u30b9\u30c8\u30a6\u30c3\u30c9\u3002<\/p>\n\n\n\n<p>Akunyili Crosby\u306f\u3001Xerox\u8ee2\u5199\u5370\u5237\u306e\u30d7\u30ed\u30bb\u30b9\u3092\u5229\u7528\u3057\u3066\u3001\u9ad8\u5ea6\u306b\u30d1\u30bf\u30fc\u30f3\u5316\u3055\u308c\u305f\u5730\u9762\u3092\u69cb\u7bc9\u3057\u3001\u305d\u306e\u4e0a\u306b\u5f7c\u5973\u306e\u7d75\u753b\u306e\u30b7\u30fc\u30f3\u3084\u8096\u50cf\u753b\u3092\u91cd\u306d\u3066\u3044\u307e\u3059\u3002\u5f7c\u5973\u306f\u3001\u30a2\u30e1\u30ea\u30ab\u3067\u306e\u79c1\u751f\u6d3b\u3068\u6545\u90f7\u306e\u30ca\u30a4\u30b8\u30a7\u30ea\u30a2\u304b\u3089\u306e\u3055\u307e\u3056\u307e\u306a\u7d20\u6750\u3092\u7d44\u307f\u5408\u308f\u305b\u3066\u3001\u690d\u6c11\u5730\u4e3b\u7fa9\u306b\u3088\u3063\u3066\u4e3b\u5f35\u3055\u308c\u305f\u6587\u5316\u7684\u683c\u5dee\u3092\u5de7\u307f\u306b\u66d6\u6627\u306b\u3057\u3066\u3001\u4f1d\u7d71\u7684\u306a\u30a2\u30d5\u30ea\u30ab\u306e\u7e54\u7269\u306e\u30ea\u30ba\u30e0\u3092\u6a21\u5023\u3059\u308b\u305f\u3081\u306b\u4e3b\u306b\u897f\u6d0b\u306e\u6280\u8853\u3092\u64cd\u4f5c\u3057\u307e\u3059\u3002<\/p>\n\n\n\n<p>\u8a18\u4e8b\u5168\u6587\u3092\u8aad\u3080&nbsp;<strong><a href=\"http:\/\/contemporaryartreview.la\/njideka-akunyili-crosby-and-akosua-adoma-owusu-at-art-practice\/\">\u3053\u3053<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Njideka Akunyili Crosby dwells in the domestic. There is a warmth to her show of new works at Art + Practice, like stepping into a long-familiar living room. Large scale works on paper depict the artist alongside family and friends in poses of comfort and repose. They look directly out of the picture frame with an irrepressible confidence: \u2018beautyful\u2019 and proud. As a woman and person of color these politics of representation are not lost on Akunyili Crosby, and it is to be celebrated that her thoughtful representations of non-white persons are currently on display not just in Leimert Park but also at the Hammer\u2019s main building in Westwood. Akunyili [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1210","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/comments?post=1210"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1210\/revisions"}],"predecessor-version":[{"id":1290,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/posts\/1210\/revisions\/1290"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/media?parent=1210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/categories?post=1210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/ja\/wp-json\/wp\/v2\/tags?post=1210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}