{"id":1045,"date":"2021-02-01T13:56:19","date_gmt":"2021-02-01T21:56:19","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1045"},"modified":"2021-02-01T13:56:19","modified_gmt":"2021-02-01T21:56:19","slug":"a-collective-constellation-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/a-collective-constellation-at-art-practice\/","title":{"rendered":"\u827a\u672f+\u5b9e\u8df5\u7684\u96c6\u4f53\u661f\u5ea7"},"content":{"rendered":"<p>\u4f5c\u5bb6 Colony Little \u5c06 A+P \u5c55\u89c8\u4e4b\u95f4\u7684\u70b9\u70b9\u6ef4\u6ef4\u76f8\u63d0\u5e76\u8bba&nbsp;<em>\u96c6\u4f53\u661f\u5ea7\uff1a\u827e\u7433\u00b7\u54c8\u91cc\u65af\u00b7\u8bfa\u987f (Eileen Harris Norton) \u7cbe\u9009\u96c6<\/em>&nbsp;\u548c\u6574\u4e2a\u9ed1\u8272\u827a\u672f\u3002\u6587\u7ae0\u8d5e\u626c\u4e86\u5c55\u89c8\u4e2d\u7684\u5973\u6027\uff08\u7279\u522b\u5173\u6ce8 Ruth Waddy\uff09\uff0c\u5e76\u5c06 A+P \u63d0\u4f9b\u7684\u5404\u79cd\u6570\u5b57\u6559\u80b2\u5de5\u5177\u8054\u7cfb\u5728\u4e00\u8d77\uff0c\u4ee5\u52a0\u6df1\u5bf9\u5c55\u89c8\u4e3b\u9898\u7684\u7406\u89e3\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb&nbsp;<a href=\"https:\/\/cshockart.com\/2020\/04\/24\/a-collective-constellation-at-art-practice\/\"><strong>\u8fd9\u91cc<\/strong><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Writer Colony Little draws parallels and connects the dots between A+P\u2019s exhibition&nbsp;Collective Constellation: Selections from The Eileen Harris Norton Collection&nbsp;and Black art as a whole. The article commends the women featured in the exhibition (paying particular attention to Ruth Waddy) and ties together the various digital educational tools A+P provides to deepen the understanding of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1045","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1045\/revisions"}],"predecessor-version":[{"id":1366,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1045\/revisions\/1366"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}