{"id":1057,"date":"2021-02-01T13:53:20","date_gmt":"2021-02-01T21:53:20","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1057"},"modified":"2021-02-01T15:00:10","modified_gmt":"2021-02-01T23:00:10","slug":"how-do-you-build-spaces-that-feel-inclusive","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/how-do-you-build-spaces-that-feel-inclusive\/","title":{"rendered":"\u201c\u4f60\u5982\u4f55\u5efa\u7acb\u611f\u89c9\u5305\u5bb9\u7684\u7a7a\u95f4\uff1f\u201d"},"content":{"rendered":"<p>1972 \u5e74\u51fa\u751f\u4e8e\u897f\u8d39\u57ce\uff0c\u6d1b\u6749\u77f6\u7684 Troy Carter \u5728\u4ed6\u7684\u804c\u4e1a\u751f\u6daf\u4e2d\u7ba1\u7406\u8fc7\u5305\u62ec Eve\u3001Lady Gaga \u548c John Legend \u5728\u5185\u7684\u4f17\u591a\u827a\u4eba\u3002\u4f5c\u4e3a\u6536\u85cf\u5bb6\u548c\u8d5e\u52a9\u4eba\uff0c\u4ed6\u662f Art + Practice \u548c LACMA \u7684\u8463\u4e8b\u4f1a\u6210\u5458\u3002\u7b56\u5c55\u4eba Erin Christovale \u5728\u4ed6\u7684\u5bb6\u4e2d\u4e0e\u4ed6\u8c08\u8bba\u4e86\u827a\u672f\u3001\u97f3\u4e50\u548c\u793e\u533a\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"https:\/\/frieze.com\/article\/how-do-you-build-spaces-feel-inclusive\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Born in West Philadelphia in 1972, Los Angeles-based Troy Carter has managed acts including Eve, Lady Gaga and John Legend over his career. As a collector and patron, he sits on the boards of Art + Practice and LACMA. Curator Erin Christovale spoke to him at his home about art, music and community. Read the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1057","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1057"}],"version-history":[{"count":6,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1057\/revisions"}],"predecessor-version":[{"id":1376,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1057\/revisions\/1376"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}