{"id":1087,"date":"2021-02-01T13:27:57","date_gmt":"2021-02-01T21:27:57","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1087"},"modified":"2021-02-01T13:27:58","modified_gmt":"2021-02-01T21:27:58","slug":"critics-picks-keith-calhoun-chandra-mccormick","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/critics-picks-keith-calhoun-chandra-mccormick\/","title":{"rendered":"\u8bc4\u8bba\u5bb6\u7684\u9009\u62e9\uff1aKeith Calhoun \u548c Chandra McCormick"},"content":{"rendered":"<p>\u5b89\u54e5\u62c9\u79cd\u690d\u56ed\u7684\u65e7\u5740\u4f4d\u4e8e\u8def\u6613\u65af\u5b89\u90a3\u5dde\u5df4\u541e\u9c81\u65e5\u5916\u7ea6\u4e00\u5c0f\u65f6\u8f66\u7a0b\u5904\uff0c\u9760\u8fd1\u5bc6\u897f\u897f\u6bd4\u6cb3\u5cb8\u8fb9\uff0c\u4ee5\u636e\u79f0\u5728\u90a3\u91cc\u5de5\u4f5c\u548c\u6b7b\u4ea1\u7684\u8bb8\u591a\u88ab\u5974\u5f79\u7684\u975e\u6d32\u4eba\u6765\u81ea\u7684\u5730\u65b9\u547d\u540d\u3002\u73b0\u5728\u5b83\u662f\u4e00\u5ea7\u76d1\u72f1\uff0c\u5b83\u4e0e\u9644\u8fd1\u5176\u4ed6\u79cd\u690d\u56ed\u7684\u5408\u5e76\u5df2\u7ecf\u6269\u5927\u4e86\u5b83\u7684\u89c4\u6a21\uff0c\u8d85\u51fa\u4e86\u66fc\u54c8\u987f\u7684\u5e73\u65b9\u82f1\u91cc\u3002\u5b83\u662f\u4e00\u4e2a\u8fd0\u52a8\u573a\u6240\u2014\u2014\u62e5\u6709\u4e00\u4e2a\u4e5d\u6d1e\u9ad8\u5c14\u592b\u7403\u573a\u548c\u4e00\u4e2a\u7528\u4e8e\u4e00\u5e74\u4e00\u5ea6\u7684\u76d1\u72f1\u725b\u4ed4\u7ade\u6280\u8868\u6f14\u7684\u4f53\u80b2\u573a\u2014\u2014\u4e5f\u662f\u4e00\u4e2a\u76d1\u89c6\u573a\u6240\uff0c\u8b66\u5bdf\u9a91\u7740\u9a6c\u5de1\u903b\uff0c\u4ee5\u63a7\u5236\u5927\u7ea6\u516d\u5343\u540d\u4ece\u4e8b\u5236\u9020\u4e1a\u3001\u519c\u4e1a\u548c\u751f\u4ea7\u6d3b\u52a8\u7684\u56da\u72af\u3002\u7267\u573a\u6bcf\u5c0f\u65f6\u53ea\u6709\u56db\u7f8e\u5206\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"https:\/\/www.artforum.com\/picks\/keith-calhoun-and-chandra-mccormick-77804\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Located about an hour outside Baton Rouge, Louisiana, near the banks of the Mississippi River, is the former site of the Angola plantation, named after the place where many of the enslaved Africans who worked and died there purportedly came from. Now it is a prison, and its consolidation with other nearby plantations has swelled [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1087","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1087"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1087\/revisions"}],"predecessor-version":[{"id":1313,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1087\/revisions\/1313"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}