{"id":1108,"date":"2021-02-01T13:36:51","date_gmt":"2021-02-01T21:36:51","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1108"},"modified":"2021-02-01T13:36:51","modified_gmt":"2021-02-01T21:36:51","slug":"i-believe-deeply-that-the-best-kind-of-art-is-public-an-interview-with-senga-nengudi","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/i-believe-deeply-that-the-best-kind-of-art-is-public-an-interview-with-senga-nengudi\/","title":{"rendered":"\u201c\u6211\u6df1\u4fe1\u6700\u597d\u7684\u827a\u672f\u662f\u516c\u5f00\u7684\u201d\uff1a\u5bf9 Senga Nengudi \u7684\u91c7\u8bbf"},"content":{"rendered":"<p>\u8fd9\u4f4d\u4f20\u5947\u96d5\u5851\u5bb6\u548c\u8868\u6f14\u827a\u672f\u5bb6\u8c08\u8bba\u6db2\u4f53\u96d5\u5851\u3001\u821e\u8e48\u7684\u653f\u6cbb\u548c\u5c3c\u9f99\u889c\u7684\u89e3\u653e\u54c1\u8d28\u3002<\/p>\n\n\n\n<p>\u4f5c\u4e3a\u5728\u52a8\u8361\u7684\u6c11\u6743\u65f6\u4ee3\uff081954-68 \u5e74\uff09\u51fa\u73b0\u7684\u6fc0\u8fdb\u4e00\u4ee3\u6d1b\u6749\u77f6\u827a\u672f\u5bb6\u4e2d\u7684\u4e00\u5458\uff0cSenga Nengudi \u7684\u5b9e\u8df5\u6269\u5927\u4e86\u96d5\u5851\u548c\u8868\u6f14\u827a\u672f\u4e4b\u95f4\u7684\u754c\u9650\u3002\u5728\u4f20\u7edf\u5a92\u4f53\u5df2\u7ecf\u8ba9\u4f4d\u4e8e\u827a\u672f\u54c1\u7684\u975e\u7269\u8d28\u5316\u7684\u65f6\u4ee3\uff0c\u80fd\u53e4\u8fea\u5f00\u59cb\u7528\u4e00\u53cc\u5c3c\u9f99\u4e1d\u889c\u521b\u9020\u81ea\u5df1\u7684\u827a\u672f\u8bed\u8a00\u3002\u5728\u5979\u65e9\u671f\u7684\u5b9e\u9a8c\u4e2d\uff0c\u7c7b\u4f3c\u76ae\u80a4\u7684\u6750\u6599\u5145\u6ee1\u4e86\u623f\u95f4\u548c\u7a7a\u95f4\uff0c\u5b83\u4eec\u88ab\u62c9\u4f38\u548c\u62c9\u52a8\uff0c\u88ab\u6346\u7ed1\u548c\u6253\u7ed3\uff0c\u626d\u66f2\u548c\u60ac\u6302\u5728\u5899\u58c1\u548c\u5929\u82b1\u677f\u4e0a\u3002\u8feb\u4e8e\u8eab\u4f53\u7684\u52a8\u89c9\uff0c\u5979\u5f00\u59cb\u5c1d\u8bd5\u5404\u79cd\u5f62\u5f0f\u7684\u8fd0\u52a8\uff0c\u5e76\u4e0e\u5927\u536b\u00b7\u54c8\u8499\u65af\u548c\u9a6c\u4f26\u00b7\u54c8\u8f9b\u683c\u7b49\u827a\u672f\u5bb6\u5408\u4f5c\u3002\u5728\u8fd9\u4e9b\u8868\u6f14\u4e2d\uff0c\u827a\u672f\u5bb6\u7684\u62df\u4eba\u5316\u5f62\u5f0f\u6210\u4e3a\u6d3b\u4f53\u7684\u5ef6\u4f38\uff0c\u5c06\u96d5\u5851\u6750\u6599\u548c\u73b0\u6210\u7684\u7269\u54c1\u8f6c\u5316\u4e3a\u653f\u6cbb\u548c\u516c\u6c11\u6d3b\u52a8\u7684\u4eea\u5f0f\u73af\u5883\u3002\u5728\u5979\u6700\u8457\u540d\u7684\u7cfb\u5217\u201cRSVP\u201d\uff081977\/2003\uff09\u4e2d\uff0c\u5f20\u5f00\u7684\u3001\u56db\u80a2\u72b6\u7684\u5c3c\u9f99\u5f62\u5f0f\u4e0d\u4ec5\u8c08\u5230\u4e86\u5973\u6027\u5728\u5f53\u4ee3\u6587\u5316\u4e2d\u7684\u89d2\u8272\u5212\u5206\u95ee\u9898\uff0c\u800c\u4e14\u4e5f\u8c08\u5230\u4e86\u827a\u672f\u5bb6\u4e0d\u65ad\u53d8\u5316\u7684\u6000\u5b55\u7684\u7269\u7406\u73b0\u5b9e\u8eab\u4f53\u3002\u501f\u9274\u4e86\u65e5\u672c\u5177\u4f53\u827a\u672f\u534f\u4f1a\u548c\u4f20\u7edf\u897f\u975e\u5316\u5986\u821e\u4f1a\u7b49\u770b\u4f3c\u591a\u6837\u548c\u975e\u6b63\u7edf\u7684\u53c2\u8003\uff0c\u80fd\u53e4\u8fea\u7684\u5e7f\u6cdb\u5b9e\u8df5\u8ba9\u6750\u6599\u548c\u89c2\u4f17\u90fd\u4f53\u73b0\u4e86\u53e6\u4e00\u4e2a\u7ef4\u5ea6\u3002\u5728\u9ed1\u6697\u7ecf\u5e38\u88ab\u5fc3\u7406\u7ed3\u6784\u6240\u9650\u5236\u7684\u793e\u4f1a\u7a7a\u95f4\u4e2d\uff0c\u80fd\u53e4\u8fea\u7684\u4f5c\u54c1\u7ee7\u7eed\u4ea7\u751f\u8bb0\u5fc6\u548c\u51a5\u60f3\u7684\u7a7a\u95f4\uff0c\u5728\u8fd9\u4e9b\u7a7a\u95f4\u4e2d\u53cd\u601d\u975e\u6d32\u4fa8\u6c11\u7684\u7f8e\u5b66\u53ca\u5176\u672a\u6765\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"https:\/\/frieze.com\/article\/i-believe-deeply-best-kind-art-public-interview-senga-nengudi\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>The legendary sculptor and performance artist talks liquid sculpture, the politics of dance and the liberating qualities of nylon hosiery. As a member of a radical generation of Los Angeles-based artists who emerged during the turbulent Civil Rights Era (1954\u201368), Senga Nengudi\u2019s practice has expanded the threshold between sculpture and performance art. At a time [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1108","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1108"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1108\/revisions"}],"predecessor-version":[{"id":1326,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1108\/revisions\/1326"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}