{"id":1114,"date":"2021-02-01T13:39:37","date_gmt":"2021-02-01T21:39:37","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1114"},"modified":"2021-02-01T13:39:38","modified_gmt":"2021-02-01T21:39:38","slug":"how-senga-nengudis-performance-objects-stretched-sculpture-into-new-forms-and-how-shes-still-pressing-the-limits-today","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/how-senga-nengudis-performance-objects-stretched-sculpture-into-new-forms-and-how-shes-still-pressing-the-limits-today\/","title":{"rendered":"Senga Nengudi \u7684\u201cPerformance Objects\u201d\u5982\u4f55\u5c06\u96d5\u5851\u5ef6\u4f38\u5230\u65b0\u7684\u5f62\u5f0f\u2014\u2014\u4ee5\u53ca\u5979\u4eca\u5929\u5982\u4f55\u4ecd\u7136\u5728\u6311\u6218\u6781\u9650"},"content":{"rendered":"<p>\u4f5c\u4e3a\u4e00\u540d\u96d5\u5851\u5bb6\uff0cSenga Nengudi (b. 1943) \u4ee5\u4e00\u79cd\u6750\u6599\u800c\u95fb\u540d\uff1a\u5c3c\u9f99\u8fde\u88e4\u889c\uff0c\u7ecf\u8fc7\u4e0d\u540c\u7a0b\u5ea6\u7684\u62c9\u4f38\u3001\u7ed1\u624e\u548c\u586b\u5145\u6c99\u5b50\uff0c\u5236\u6210\u62bd\u8c61\u7684\u8eab\u4f53\u518d\u73b0\u3002\u7136\u800c\uff0c\u8fd9\u79cd\u4e00\u773c\u5c31\u80fd\u8ba4\u51fa\u7684\u827a\u672f\u7b7e\u540d\u4e5f\u63a9\u76d6\u4e86\u5979\u4f5c\u54c1\u7684\u6df1\u5ea6\u3002\u6027\u80fd\u4e00\u76f4\u662f Nengudi \u5b9e\u8df5\u7684\u57fa\u7840\uff0c\u5c31\u50cf\u5979\u7684\u6750\u6599\u4e00\u6837\u3002\u5979\u521a\u521a\u5728\u6d1b\u6749\u77f6\u7684 Art + Practice \u4e3e\u529e\u7684\u5c55\u89c8\u201cHead Back and High\u201d\u63ed\u793a\u4e86\u5979\u4e0e\u4e00\u7fa4\u7d27\u5bc6\u7684\u827a\u672f\u5bb6\u7684\u8054\u7cfb\u6240\u63a8\u52a8\u7684\u827a\u672f\u8fc7\u7a0b\uff0c\u8fd9\u4e9b\u827a\u672f\u5bb6\u63a8\u52a8\u4e86\u9ed1\u4eba\u5f53\u4ee3\u827a\u672f\u7684\u754c\u9650\uff0c\u5c31\u50cf\u5979\u81ea\u5df1\u5c06\u5c3c\u9f99\u62c9\u4f38\u5230\u65b0\u7684\u548c\u5177\u6709\u6311\u6218\u6027\u7684\u5f62\u5f0f\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"https:\/\/news.artnet.com\/exhibitions\/senga-nengudi-1312703\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>As a sculptor, Senga Nengudi (b. 1943) is well-known for one material in particular: nylon pantyhose, variously stretched, tied, and filled with sand, made over into abstracted renditions of the body. Yet this instantly recognizable artistic signature can also mask the depths of her work. Performance has been as fundamental to Nengudi\u2019s practice as her [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1114","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1114"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1114\/revisions"}],"predecessor-version":[{"id":1330,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1114\/revisions\/1330"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}