{"id":1124,"date":"2021-02-01T13:42:37","date_gmt":"2021-02-01T21:42:37","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1124"},"modified":"2021-02-01T13:42:46","modified_gmt":"2021-02-01T21:42:46","slug":"ruben-ochoa","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/ruben-ochoa\/","title":{"rendered":"\u9c81\u672c\u00b7\u5965\u4e54\u4e9a"},"content":{"rendered":"<p>Ruben Ochoa \u7684\u201cSAMPLED y SURVEYED\u201d\u5c55\u793a\u4e86\u827a\u672f\u5bb6\u5c06\u57fa\u672c\u7684\u5efa\u7b51\u6750\u6599\u8f6c\u5316\u4e3a\u5145\u6ee1\u610f\u4e49\u7684\u7ed3\u6784\u88c5\u7f6e\u7684\u55dc\u597d\u3002 Ochoa \u7684\u53c2\u8003\u4f5c\u54c1\u4e3b\u8981\u4f7f\u7528\u6728\u6750\u3001\u91d1\u5c5e\u548c\u6df7\u51dd\u571f\uff0c\u4f5c\u4e3a\u6211\u4eec\u53ef\u4ee5\u8003\u8651\u793e\u4f1a\u9636\u5c42\u548c\u8eab\u4efd\u95ee\u9898\u7684\u5de5\u5177\uff0c\u540c\u65f6\u7a81\u51fa\u4e86\u827a\u672f\u5bb6\u5bf9\u57ce\u5e02\u7a7a\u95f4\u7684\u5174\u8da3\u3002\u5c3d\u7ba1\u5916\u89c2\u6781\u7b80\uff0c\u5965\u4e54\u4e9a\u7684\u96d5\u5851\u5374\u5145\u6ee1\u4e86\u8bed\u5883\u3002\u4e3b\u8981\u5173\u6ce8\u5efa\u7b51\u548c\u57ce\u5e02\u7a7a\u95f4\u51b3\u5b9a\u6211\u4eec\u4f53\u9a8c\u7684\u80fd\u529b\uff0c\u5176\u6b21\u662f\u4ece\u62c9\u4e01\u7f8e\u6d32\u827a\u672f\u5bb6\u7684\u89d2\u5ea6\u8868\u8fbe\u7684\u90a3\u4e9b\u4f53\u9a8c\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/artillerymag.com\/ruben-ochoa\/\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Ruben Ochoa\u2019s \u201cSAMPLED y SURVEYED\u201d illustrates the artist\u2019s penchant for transforming basic construction materials into structural installations charged with meaning. Primarily working in wood, metals and concrete, Ochoa\u2019s referential works function as tools with which we can consider issues of social class and identity, while highlighting the artist\u2019s interest in urban space. Despite their Minimalist [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1124","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1338,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1124\/revisions\/1338"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}