{"id":1134,"date":"2021-02-01T13:13:36","date_gmt":"2021-02-01T21:13:36","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1134"},"modified":"2021-02-01T13:13:36","modified_gmt":"2021-02-01T21:13:36","slug":"critics-picks-los-angeles-al-loving","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/critics-picks-los-angeles-al-loving\/","title":{"rendered":"\u8bc4\u8bba\u5bb6\u7684\u9009\u62e9\uff1a\u6d1b\u6749\u77f6\uff1aAl Loving"},"content":{"rendered":"<p>\u5728 Al Loving \u7684\u4f5c\u54c1\u96c6\u4e2d\u56de\u987e\u5c55\u4e2d\uff0c12 \u4ef6\u4f5c\u54c1\u7684\u51fa\u73b0\u662f\u5982\u6b64\u7684\u8d2a\u5a6a\uff0c\u56e0\u4e3a\u5b83\u4eec\u4e0e\u767d\u8272\u7acb\u65b9\u4f53\u7684\u60f0\u6027\u6846\u67b6\u76f8\u5bf9\u7acb\uff0c\u4ee5\u81f3\u4e8e\u5b83\u4eec\u53ef\u80fd\u66f4\u597d\u5730\u7528\u5bfc\u81f4\u5b83\u4eec\u5236\u4f5c\u7684\u6d3b\u52a8\u6765\u63cf\u8ff0\uff1a\u5806\u53e0\u3001\u7f16\u7ec7\u3001\u5c42\uff0c\u6495\u88c2\uff0c\u5207\u5272\uff0c\u6ef4\u843d\u3002\u7b2c\u4e00\u4e2a\u753b\u5eca\u4e2d\u7684\u4e94\u4ef6\u4f5c\u54c1\u672c\u8d28\u4e0a\u662f\u4ea4\u7ec7\u5728\u4e00\u8d77\u7684\u87ba\u65cb\u548c\u7f51\u683c\u7684\u62fc\u8d34\u753b\uff0c\u901a\u5e38\u8272\u5f69\u9c9c\u8273\u3001\u95ea\u95ea\u53d1\u5149\uff0c\u5e76\u6563\u53d1\u51fa\u8273\u4e3d\u7684\u53cd\u5149\u5149\u6cfd\u3002\u5b83\u4eec\u65e2\u662f\u94f6\u6cb3\u7cfb\u53c8\u662f\u72e1\u733e\u7684\uff0c\u5b83\u4eec\u53cd\u5bf9\u5a92\u4ecb\u7684\u6b63\u7edf\u89c2\u5ff5\uff0c\u56e0\u4e3a\u5b83\u4eec\u6ca1\u6709\u653e\u7f6e\u5404\u79cd\u5143\u7d20\u7684\u5730\u9762\u6216\u77e9\u9635\u3002\u6362\u53e5\u8bdd\u8bf4\uff0c\u5b83\u4eec\u90fd\u662f\u62fc\u8d34\u753b\uff0c\u5e26\u6709\u8fc7\u591a\u5f2f\u66f2\u7684\u5916\u9732\u8fb9\u7f18\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"https:\/\/www.artforum.com\/picks\/id=68868\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>So voracious is the presence of the twelve works in this focused retrospective of Al Loving\u2019s work, set as they are against the inert framing of the white cube, that they might be better described by the activities that resulted in their making: stack, weave, layer, tear, cut, drip. The five works in the first [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1134","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":5,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1134\/revisions"}],"predecessor-version":[{"id":1304,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1134\/revisions\/1304"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}