{"id":1175,"date":"2021-02-01T12:29:21","date_gmt":"2021-02-01T20:29:21","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1175"},"modified":"2021-02-01T12:29:21","modified_gmt":"2021-02-01T20:29:21","slug":"mark-bradford-brings-dexterity-of-de-kooning-and-a-commitment-to-activism-to-the-2017-venice-biennale","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/mark-bradford-brings-dexterity-of-de-kooning-and-a-commitment-to-activism-to-the-2017-venice-biennale\/","title":{"rendered":"\u9a6c\u514b\u5e03\u62c9\u5fb7\u798f\u5fb7\u4e3a 2017 \u5e74\u5a01\u5c3c\u65af\u53cc\u5e74\u5c55\u5e26\u6765\u4e86\u201c\u5fb7\u5e93\u5b81\u7684\u7075\u5de7\u201d\u548c\u5bf9\u6fc0\u8fdb\u4e3b\u4e49\u7684\u627f\u8bfa"},"content":{"rendered":"<p class=\"wp-block-paragraph\">\u81ea\u4ece\u4e00\u4f4d\u753b\u5bb6\u4ee3\u8868\u7f8e\u56fd\u53c2\u52a0\u5a01\u5c3c\u65af\u53cc\u5e74\u5c55\u5df2\u7ecf\u5341\u591a\u5e74\u4e86\u3002\u90a3\u662f 2005 \u5e74\u7684 Ed Ruscha\u3002\u672c\u5468\uff0c\u5e03\u5170\u4ee3\u65af\u5927\u5b66\u7684\u73ab\u7470\u827a\u672f\u535a\u7269\u9986\u5ba3\u5e03\uff0c\u53e6\u4e00\u4f4d\u6d1b\u6749\u77f6\u753b\u5bb6\u9a6c\u514b\u5e03\u62c9\u5fb7\u798f\u5fb7\u5c06\u5728 2017 \u5e74\u5a01\u5c3c\u65af\u53cc\u5e74\u5c55\u7684\u7f8e\u56fd\u9986\u81ea\u7531\u53d1\u6325\u3002<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u5e03\u62c9\u5fb7\u798f\u5fb7\u900f\u9732\u4ed6\u5bf9\u5a01\u5c3c\u65af\u88c5\u7f6e\u7684\u60f3\u6cd5\u8fd8\u4e3a\u65f6\u8fc7\u65e9\uff0c\u4f46\u6211\u4eec\u53ef\u4ee5\u80af\u5b9a\uff0c\u8fd9\u4e0d\u4ec5\u4ec5\u662f\u6302\u5728\u5899\u4e0a\u7684\u6f02\u4eae\u753b\u4f5c\u3002\u4f1a\u6709\u6d88\u606f\u3002<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u8fd9\u4f4d\u827a\u672f\u5bb6\u7684\u56fd\u9645\u58f0\u8a89\u5efa\u7acb\u5728\u4ee5\u62bd\u8c61\u65b9\u5f0f\u5448\u73b0\u9636\u7ea7\u3001\u6587\u5316\u3001\u79cd\u65cf\u548c\u6027\u522b\u95ee\u9898\u7684\u5c42\u6b21\u5206\u660e\u7684\u753b\u5e03\u4e0a\u3002\u4ed6\u8fd8\u5e2e\u52a9\u5728\u83b1\u9ed8\u7279\u516c\u56ed\u6210\u7acb\u4e86\u4e00\u4e2a\u540d\u4e3a\u201c\u827a\u672f+\u5b9e\u8df5\u201d\u7684\u793e\u4f1a\u670d\u52a1\u7ec4\u7ec7\u548c\u753b\u5eca\u7a7a\u95f4\uff0c\u90e8\u5206\u81f4\u529b\u4e8e\u5e2e\u52a9\u57f9\u517b\u9752\u5e74\u3002<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u8fd9\u79cd\u5bf9\u653f\u6cbb\u548c\u6fc0\u8fdb\u4e3b\u4e49\u7684\u5173\u6ce8\uff0c\u4ee5\u53ca\u5e03\u62c9\u5fb7\u798f\u5fb7\u4ee4\u4eba\u751f\u754f\u7684\u7ed8\u753b\u6280\u5de7\uff0c\u662f\u7f57\u65af\u5bfc\u6f14\u514b\u91cc\u65af\u6258\u5f17\u00b7\u8d1d\u5fb7\u798f\u5fb7 (Christopher Bedford) \u8bf4\u5e03\u62c9\u5fb7\u798f\u5fb7\u73b0\u5728\u662f\u4ee3\u8868\u7f8e\u56fd\u53c2\u52a0\u4e16\u754c\u4e0a\u6700\u5f15\u4eba\u6ce8\u76ee\u7684\u5f53\u4ee3\u827a\u672f\u6d3b\u52a8\u4e4b\u4e00\u7684\u5408\u9002\u827a\u672f\u5bb6\u7684\u539f\u56e0\u3002<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/miranda\/la-et-cam-0421-mark-bradford-venice-biennale-20160421-story.html\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>It\u2019s been more than 10 years since a painter has represented the United States at the Venice Biennale. That was Ed Ruscha in 2005. This week, the Rose Art Museum at Brandeis University announced that another Los Angeles painter, Mark Bradford, would be given free rein at the U.S. Pavilion for 2017\u2019s Venice Biennale. It\u2019s [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1175","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1175"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1175\/revisions"}],"predecessor-version":[{"id":1264,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1175\/revisions\/1264"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}