{"id":1179,"date":"2021-02-01T12:30:39","date_gmt":"2021-02-01T20:30:39","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1179"},"modified":"2021-02-01T12:30:39","modified_gmt":"2021-02-01T20:30:39","slug":"review-john-otterbridge","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/review-john-otterbridge\/","title":{"rendered":"\u8bc4\u8bba\uff1a\u7ea6\u7ff0\u5965\u7279\u5e03\u91cc\u5947"},"content":{"rendered":"<p>\u516b\u5341\u591a\u5c81\u7684\u7ea6\u7ff0\u00b7\u5965\u7279\u5e03\u91cc\u5947\u5728\u5e15\u8428\u8fea\u7eb3\u827a\u672f\u535a\u7269\u9986\uff08\u73b0\u4e3a\u8bfa\u987f\u897f\u8499\u535a\u7269\u9986\uff09\u548c\u74e6\u8328\u5854\u827a\u672f\u4e2d\u5fc3\u4ece\u4e8b\u827a\u672f\u7ba1\u7406\u65b9\u9762\u7684\u6770\u51fa\u5de5\u4f5c\uff0c\u4ee5\u4ed6\u7684\u8f9b\u9178\u7ec4\u5408\u800c\u95fb\u540d\uff0c\u8fd9\u4e9b\u7ec4\u5408\u5c06\u7f8e\u56fd\u5974\u96b6\u5236\u7684\u63d0\u9192\u4e0e\u5bf9\u5bb6\u5ead\u548c\u4e2a\u4eba\u7684\u53cd\u601d\u878d\u4e3a\u4e00\u4f53\u5386\u53f2\u3002\u4ed6\u6700\u8fd1\u7684\u8282\u76ee\u201cRag Man\u201d\u4e3b\u8981\u5173\u6ce8 2008 \u5e74\u81f3 2012 \u5e74\u4e4b\u95f4\u7684\u4f5c\u54c1\u3002<\/p>\n\n\n\n<p>\u5728\u524d\u9762\u7684\u753b\u5eca\u91cc\uff0c\u6709\u5341\u51e0\u4e2a\u7531\u65e7\u6728\u5934\u3001\u751f\u9508\u7684\u94c1\u548c\u892a\u8272\u7684\u7834\u5e03\u7b49\u518d\u751f\u6750\u6599\u5236\u6210\u7684\u7ec4\u5408\u7269\u9648\u5217\u5728\u4e24\u5835\u76f8\u90bb\u7684\u5899\u4e0a\uff0c\u5899\u4e0a\u6d82\u7740\u4e00\u6735\u6e29\u6696\u7684\u9ec4\u82b1\u83dc\u3002\u9047\u5230\u7684\u7b2c\u4e00\u5e45\u4f5c\u54c1\u300a\u6211\u8981\u8bf4\u300b\uff082008 \u5e74\uff09\u662f\u4e00\u5e45\u540d\u526f\u5176\u5b9e\u7684\u81ea\u753b\u50cf\uff0c\u7f20\u7ed3\u7684\u4eba\u7c7b\u957f\u53d1\u7efa\u9876\u5728\u4e00\u4e2a\u68f1\u89d2\u5206\u660e\u7684\u91d1\u5c5e\u5f62\u72b6\u4e0a\uff0c\u7c7b\u4f3c\u4e8e\u4e00\u4e2a\u9519\u7efc\u590d\u6742\u7684\u7acb\u4f53\u6d3e\u9762\u5b54\u3002\u4e00\u9762\u5c0f\u5c0f\u7684\u7f8e\u56fd\u56fd\u65d7\u2014\u2014\u5bf9\u4e8e\u4e00\u4e2a\u5fe0\u8bda\u7684\u7f8e\u56fd\u516c\u6c11\u6765\u8bf4\uff0c\u8fd9\u662f\u4e00\u4e2a\u4ee4\u4eba\u62c5\u5fe7\u7684\u8c61\u5f81\uff0c\u7ecf\u5e38\u56e0\u4e3a\u4ed6\u7684\u79cd\u65cf\u800c\u53d7\u5230\u4e8c\u7b49\u5f85\u9047\u2014\u2014\u5c31\u50cf\u4e00\u4e2a\u5fbd\u7ae0\u4e00\u6837\u60ac\u6302\u5728\u4e0b\u9762\u3002 Caged (2008) \u8868\u8fbe\u4e86\u7c7b\u4f3c\u7684\u77db\u76fe\u5fc3\u7406\u3002\u4e00\u4e2a\u5c0f\u6728\u5a03\u5a03\u5750\u5728\u4e00\u4e2a\u7ed3\u6784\u4e2d\uff0c\u8ba9\u4eba\u60f3\u8d77\u7528\u6811\u679d\u5236\u6210\u7684\u4ed3\u9f20\u8f6e\u5b50\uff0c\u5e76\u7528\u788e\u5e03\u6761\u7ed1\u4f4f\u3002\u7b3c\u4e2d\u5a03\u5a03\u7684\u7b11\u5bb9\u53ef\u7b11\u5374\u53c8\u51b7\u9177\u3002<\/p>\n\n\n\n<p>Outterbridge \u4e8e 1933 \u5e74\u51fa\u751f\u4e8e\u5317\u5361\u7f57\u6765\u7eb3\u5dde\u683c\u6797\u7ef4\u5c14\uff0c\u6700\u521d\u53d7\u5230\u7236\u4eb2\u7684\u5f71\u54cd\uff0c\u7236\u4eb2\u5728\u5361\u8f66\u540e\u90e8\u7ecf\u8425\u7740\u4e00\u4e2a\u79fb\u52a8\u5783\u573e\u573a\uff0c\u800c\u4ed6\u7684\u6bcd\u4eb2\u5219\u5f39\u94a2\u7434\u3001\u5199\u8bd7\u3001\u5236\u4f5c\u68c9\u88ab\u5e76\u4e3a\u513f\u5b50\u63d0\u4f9b\u4e8c\u624b\u7269\u54c1\u3002\u6750\u6599\u3002 70 \u5e74\u4ee3\u521d\uff0cOutterbridge \u5728\u52a0\u5229\u798f\u5c3c\u4e9a\u62c5\u4efb\u6559\u80b2\u5de5\u4f5c\u8005\u548c\u5b89\u88c5\u4eba\u5458\uff0c\u7ed3\u8bc6\u4e86\u5b89\u8fea\u00b7\u6c83\u970d\u5c14\u3001\u7406\u67e5\u5fb7\u00b7\u585e\u62c9\u3001\u7f57\u4f2f\u7279\u00b7\u52b3\u68ee\u4f2f\u683c\u548c\u9a6c\u514b\u00b7\u8fea\u00b7\u82cf\u97e6\u7f57\uff08\u4ed6\u6709\u65f6\u501f\u7528\u4e86\u4ed6\u4eec\u7684\u5de5\u4f5c\u5ba4\u548c\u673a\u5668\uff09\u7b49\u827a\u672f\u5bb6\u3002<\/p>\n\n\n\n<p>Case in Point (1970) \u653e\u7f6e\u5728\u4e00\u4e2a\u57fa\u5ea7\u4e0a\uff0c\u6765\u81ea Outterbridge \u4ece\u7a7a\u519b\u56de\u56fd\u7684\u7ecf\u5386\u3002\u68d5\u8272\u9999\u80a0\u72b6\u7684\u5916\u5f62\uff0c\u7528\u519b\u7528\u5e06\u5e03\u5305\u88f9\u6210\u4e00\u6346\uff0c\u5e26\u6709\u4e00\u4e2a\u8001\u5f0f\u884c\u674e\u6807\u7b7e\uff0c\u4e0a\u9762\u5199\u7740\u201c\u5305\u88f9\u50cf\u4eba\u4e00\u6837\u65c5\u884c\u201d\u3002 1955 \u5e74\uff0c\u6b63\u5982\u4ed6\u5728 50 \u5e74\u540e\u5411\u300a\u6d1b\u6749\u77f6\u65f6\u62a5\u300b\u8bb2\u8ff0\u7684\u90a3\u6837\uff0cOutterbridge \u767b\u4e0a\u4e86\u4e00\u8f86\u7a7f\u7740\u5168\u5957\u519b\u88c5\u7684\u516c\u5171\u6c7d\u8f66\uff0c\u5e76\u88ab\u53f8\u673a\u547d\u4ee4\u5230\u8f66\u8f86\u540e\u90e8\u3002\u4ed6\u7b54\u5e94\u4e86\uff0c\u7136\u540e\u5750\u4e0b\u6765\u54ed\u4e86\u3002\u5bf9\u4e8e\u8fd9\u4f4d\u827a\u672f\u5bb6\u4ee5\u53ca\u65e0\u6570\u5176\u4ed6\u6709\u7c7b\u4f3c\u7ecf\u5386\u7684\u975e\u88d4\u7f8e\u56fd\u4eba\u6765\u8bf4\uff0c\u8fd0\u8f93\u53e3\u53f7\u662f\u4e00\u4e2a\u8bbd\u523a\u6027\u7684\u63d0\u9192\uff0c\u5373\u76f8\u53cd\u7684\u60c5\u51b5\u5f80\u5f80\u662f\u6b63\u786e\u7684\u2014\u2014\u6709\u4e9b\u4eba\u50cf\u8d27\u7269\u4e00\u6837\u65c5\u884c\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/www.artinamericamagazine.com\/reviews\/john-outterbridge-1\/\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Octogenarian John Outterbridge, who had a distinguished career in arts administration at the Pasadena Art Museum (now the Norton Simon Museum) and the Watts Towers Arts Center, is best known for his poignant assemblages that meld reminders of American slavery with reflections on family and personal history. His recent show \u201cRag Man\u201d focused primarily on [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1179","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1179"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1179\/revisions"}],"predecessor-version":[{"id":1266,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1179\/revisions\/1266"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}