{"id":1185,"date":"2021-02-01T12:51:05","date_gmt":"2021-02-01T20:51:05","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1185"},"modified":"2021-02-01T12:51:06","modified_gmt":"2021-02-01T20:51:06","slug":"last-chance-john-outterbridge-assemblages-of-dreadlocks-twigs-an-american-flag-at-art-practice","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/last-chance-john-outterbridge-assemblages-of-dreadlocks-twigs-an-american-flag-at-art-practice\/","title":{"rendered":"\u6700\u540e\u673a\u4f1a\uff1a\u7ea6\u7ff0\u00b7\u5965\u7279\u5e03\u91cc\u5947\uff08John Outterbridge\uff09\u7684\u957f\u53d1\u7efa\u3001\u6811\u679d\u548c\u7f8e\u56fd\u56fd\u65d7\u5728 Art + Practice"},"content":{"rendered":"<p>\u7ea6\u7ff0\u00b7\u5965\u7279\u5e03\u91cc\u5947\u5728\u4ed6\u7684\u7ec4\u5408\u4e2d\u4f7f\u7528\u7684\u6750\u6599\u518d\u7b80\u5355\u4e0d\u8fc7\u4e86\uff1a\u4e00\u4e9b\u5934\u53d1\u3001\u6728\u5c51\u3001\u65e7\u7834\u5e03\uff0c\u4f3c\u4e4e\u662f\u4e00\u4e2a\u65e7\u62ab\u8428\u6868\u7684\u6b8b\u4f59\u7269\u3002\u4f46\u8fd9\u4f4d\u4ee5\u5176\u70bc\u91d1\u672f\u6df7\u5408\u6750\u6599\u800c\u95fb\u540d\u7684\u827a\u672f\u5bb6\u6709\u4e00\u79cd\u65b9\u6cd5\uff0c\u53ef\u4ee5\u5c06\u65e5\u5e38\u751f\u6d3b\u7684\u788e\u7247\u8f6c\u5316\u4e3a\u5927\u4e8e\u5176\u90e8\u5206\u603b\u548c\u7684\u4e1c\u897f\u2014\u2014\u62bd\u8c61\u96d5\u5851\u3001\u8d85\u73b0\u5b9e\u5de5\u5177\u548c\u56fe\u817e\u4eba\u7269\u3002<\/p>\n\n\n\n<p>Outterbridge \u5728\u83b1\u9ed8\u7279\u516c\u56ed\u7684 Art + Practice \u7684\u4e2a\u5c55\uff0c\u73b0\u5728\u5df2\u7ecf\u8fc7\u53bb\u4e86\u4e24\u5929\uff0c\u6c47\u96c6\u4e86\u8fd9\u4f4d\u827a\u672f\u5bb6\u7684\u4e00\u4e9b\u66f4\u77e5\u540d\u7684\u4f5c\u54c1\u3002\u8fd9\u5305\u62ec\u8bf8\u5982 70 \u5e74\u4ee3\u521d\u7684\u201cJive Ass Bird\u201d\u4e4b\u7c7b\u7684\u96d5\u5851\uff0c\u5176\u62bd\u8c61\u7684\u7f8e\u56fd\u56fd\u65d7\u8138\u2014\u2014\u7528\u65e7\u5e06\u5e03\u548c\u8170\u5e26\u6e32\u67d3\u7684\u653f\u6cbb\u610f\u8c61\u3002<\/p>\n\n\n\n<p>\u5b83\u8fd8\u5305\u62ec\u8bb8\u591a\u5176\u4ed6\u4f5c\u54c1\uff0c\u5176\u4e2d\u8bb8\u591a\u662f\u5728\u8fc7\u53bb 15 \u5e74\u4e2d\u5236\u4f5c\u7684\u3002 2002 \u5e74\u7684\u201c\u9057\u5931\u7684\u56f4\u88d9\u201d\u5c06\u4e00\u4e2a\u6728\u6868\u53d8\u6210\u4e86\u4e00\u4e2a\u53d7\u975e\u6d32\u542f\u53d1\u7684\u604b\u7269\u7656\u4eba\u7269\u2014\u2014\u4e00\u4e2a\u9970\u6709\u526a\u4e0b\u7684\u957f\u53d1\u7efa\u5934\u53d1\u7684\u4eba\u7269\u3002 2009 \u5e74\u7684\u4e00\u4ef6\u540d\u4e3a\u201cHooked\u201d\u7684\u4f5c\u54c1\u5c06\u6728\u5934\u788e\u7247\u53d8\u6210\u4e86\u770b\u8d77\u6765\u5f88\u5371\u9669\u7684\u722a\u5b50\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/miranda\/la-et-cam-john-outterbridge-rag-man-art-practice-20160225-column.html\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>The materials that John Outterbridge uses in his assemblages couldn\u2019t be more humble: bits of hair, scraps of wood, old rags, what appears to be a remnant of an old pizza paddle. But the artist, who is known for his alchemical mixes of materials, has a way of transforming the scraps of everyday life into [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1185","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1185"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1185\/revisions"}],"predecessor-version":[{"id":1270,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1185\/revisions\/1270"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}