{"id":1188,"date":"2021-02-01T12:52:26","date_gmt":"2021-02-01T20:52:26","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1188"},"modified":"2021-02-01T12:52:26","modified_gmt":"2021-02-01T20:52:26","slug":"critics-picks-los-angeles-john-outterbridge","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/critics-picks-los-angeles-john-outterbridge\/","title":{"rendered":"\u8bc4\u8bba\u5bb6\u7684\u9009\u62e9\uff1a\u6d1b\u6749\u77f6\uff1a\u7ea6\u7ff0\u00b7\u5965\u7279\u5e03\u91cc\u5947"},"content":{"rendered":"<p>\u201c\u5305\u88f9\u50cf\u4eba\u4e00\u6837\u65c5\u884c\u201d\u9605\u8bfb\u8d34\u5728\u7ea6\u7ff0\u5965\u7279\u5e03\u91cc\u5947\u96d5\u5851\u6848\u4f8b\u4e2d\u7684\u884c\u674e\u6807\u7b7e\uff0cca\u3002 1970. \u4e00\u5757\u5e73\u5766\u7684\u68d5\u8272\u753b\u5e03\u88ab\u6263\u5728\u4e03\u4e2a\u586b\u5145\u7684\u957f\u65b9\u5f62\u7269\u4f53\u4e0a\uff0c\u8fd9\u4e9b\u957f\u65b9\u5f62\u7269\u4f53\u7684\u56db\u80a2\u5c3a\u5bf8\u8868\u660e\u6807\u7b7e\u7684\u53cd\u9762\u3002\u8fd9\u4ef6\u4f5c\u54c1\u4f53\u73b0\u4e86\u5bf9\u9ed1\u4eba\u4f5c\u4e3a\u5bf9\u8c61\u7684\u8868\u73b0\u548c\u5bf9\u5f85\u7684\u9690\u55bb\uff0c\u4eca\u5929\u9047\u5230\u5b83\u6697\u793a\u4e86\u9ed1\u4eba\u6743\u529b\u548c\u9ed1\u4eba\u751f\u6d3b\u95ee\u9898\u65f6\u4ee3\u4e4b\u95f4\u4ee4\u4eba\u4e0d\u5b89\u7684\u8fde\u7eed\u6027\u3002\u8fd9\u662f\u8fdb\u5165 Outterbridge \u7cbe\u8f9f\u548c\u5177\u6709\u793e\u4f1a\u610f\u8bc6\u7684\u5de5\u4f5c\u7684\u5408\u9002\u70b9\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"https:\/\/www.artforum.com\/picks\/john-outterbridge-57628\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u201cPackages travel like people\u201d reads a luggage tag affixed to John Outterbridge\u2019s sculpture Case in Point, ca. 1970. A flat piece of brown painted canvas is buckled around seven stuffed oblong objects whose limb-like dimensions suggest the reverse of the tag\u2019s claim. The work embodies a thinly veiled metaphor for the representation and treatment of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1188","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":4,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"predecessor-version":[{"id":1273,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1188\/revisions\/1273"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}