{"id":1207,"date":"2021-02-01T13:05:55","date_gmt":"2021-02-01T21:05:55","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1207"},"modified":"2021-02-01T13:05:56","modified_gmt":"2021-02-01T21:05:56","slug":"njideka-akunyili-crosbys-intimate-tableaus-echo-her-transnational-world","status":"publish","type":"post","link":"https:\/\/artandpractice.org\/zh\/news\/njideka-akunyili-crosbys-intimate-tableaus-echo-her-transnational-world\/","title":{"rendered":"Njideka Akunyili Crosby \u7684\u4eb2\u5bc6\u753b\u9762\u547c\u5e94\u4e86\u5979\u7684\u8de8\u56fd\u4e16\u754c"},"content":{"rendered":"<p>\u6709\u4e00\u79cd\u601d\u60f3\u6d41\u6d3e\u2014\u2014\u9762\u5411\u5bf9\u8c61\u7684\u672c\u4f53\u8bba\uff0c\u6216 OOO\u2014\u2014\u8ba4\u4e3a\u4eba\u7c7b\u548c\u975e\u4eba\u7c7b\u662f\u5e73\u7b49\u7684\u3002\u770b\u770b Njideka Akunyili Crosby \u7684\u4eba\u7269\u8096\u50cf\uff08\u5305\u62ec\u4e0e\u4e08\u592b\u7684\u81ea\u753b\u50cf\uff09\u3001\u5bb6\u5177\u548c\u670d\u88c5\uff0c\u6bcf\u4e00\u4e2a\u5143\u7d20\u90fd\u4ee5\u540c\u6837\u6e29\u6696\u7684\u719f\u6089\u5ea6\u5904\u7406\uff0c\u5305\u88f9\u5728\u771f\u5b9e\u548c\u60f3\u8c61\u7684\u7ec6\u8282\u4e2d\uff0c\u8bb2\u8ff0\u4e86\u4e2a\u4eba\u548c\u8de8\u56fd\u5386\u53f2\u3002\u5899\u58c1\u3001\u5730\u6bef\u3001\u684c\u5b50\u3001\u5e8a\u2014\u2014Akunyili Crosby \u7684\u65e0\u751f\u547d\u8096\u50cf\u5305\u542b\u7684\u8868\u60c5\u4e0e\u5c45\u4f4f\u5176\u4e2d\u7684\u4eba\u7269\u4e00\u6837\u591a\u3002<\/p>\n\n\n\n<p>Akunyili Crosby \u6b63\u5728\u6210\u4e3a\u5168\u7403\u6587\u5316\u666f\u89c2\u7684\u77e5\u540d\u8d21\u732e\u8005\u3002\u7ee7\u53bb\u5e74\u83b7\u5f97\u4f17\u591a\u65e2\u5b9a\u7684\u827a\u672f\u4e16\u754c\u8363\u8a89\uff08\u5305\u62ec 2014 \u5e74\u53f2\u5bc6\u68ee\u5c3c\u7f8e\u56fd\u827a\u672f\u535a\u7269\u9986\u7684\u8a79\u59c6\u65af\u8fea\u514b\u5f53\u4ee3\u827a\u672f\u5956\u548c\u4eca\u5e74\u7ebd\u7ea6\u65b0\u535a\u7269\u9986\u4e09\u5e74\u5c55\u7684\u5165\u9009\uff09\u4e4b\u540e\uff0c\u8fd9\u4f4d 32 \u5c81\u7684\u5c3c\u65e5\u5229\u4e9a\u51fa\u751f\u7684\u6d1b\u6749\u77f6\u4eba\u827a\u672f\u5bb6\u7684\u5927\u578b\u6df7\u5408\u5a92\u4f53\u4f5c\u54c1\u73b0\u5728\u662f Hammer \u535a\u7269\u9986\u7684\u4e2a\u5c55\u4e3b\u9898\uff0c\u540c\u65f6\u5728 Art+Practice \u4e3e\u529e\u5c55\u89c8\uff08\u5206\u522b\u4e8e 1 \u6708 10 \u65e5\u548c 11 \u6708 21 \u65e5\u4e3e\u884c\uff09\u3002\u60e0\u7279\u5c3c\u521a\u521a\u5ba3\u5e03\uff0c\u5979\u5c06\u6210\u4e3a\u7b2c\u4e09\u4f4d\u51fa\u73b0\u5728\u5176\u6237\u5916\u827a\u672f\u7cfb\u5217\u4e2d\u7684\u827a\u672f\u5bb6\uff0c\u5979\u7684\u753b\u4f5c\u5c06\u6269\u5927\u5e7f\u544a\u724c\u7248\u672c&nbsp;<em>\u5988\u5988\u3001\u5988\u5988\u548c\u5988\u5988<\/em>&nbsp;(2014).<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/www.wallpaper.com\/art\/njideka-ankunyili-crosby-hammer-museum#136758\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>There is a school of thought \u2013 object-oriented ontology, or OOO \u2013 that sees humans and non-humans as equals. Looking at Njideka Akunyili Crosby\u2019s portraits of people (including self-portraits with her husband), furniture and clothing, every element is treated with the same warm familiarity, wrapped in real and imagined details that narrate a personal and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1207","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1207"}],"version-history":[{"count":3,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1207\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1207\/revisions\/1288"}],"wp:attachment":[{"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}